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Today's Stichomancy for Alan Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grenadiere by Honore de Balzac:

measure glad that he should ask; the boy's astonished masters had told her that he was overworking himself. So Louis went for long walks. He tried to inure himself to fatigue, climbed the tallest trees with incredible quickness, learned to swim, watched through the night. He was not like the same boy; he was a young man already, with a sunburned face, and a something in his expression that told of deep purpose.

When October came, Mme. Willemsens could only rise at noon. The sunshine, reflected by the surface of the Loire, and stored up by the rocks, raised the temperature of the air till it was almost as warm and soft as the atmosphere of the Bay of Naples, for which reason the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

and thereafter they made their home at the baron's castle. And years afterward, when they had grown to be women, Seseley was married to Nerle and became the lady of the castle herself.

Prince Marvel enjoyed the feasting and dancing at the castle very much, but after the party began to break up, and the High Ki and the Ki had left him, as well as King Terribus and honest Wul-Takim, the young knight grew thoughtful and sometimes uneasy, and his happy laugh was less frequently heard. Nerle often regarded his young master with a feeling of awe, for there occasionally came a look into Marvel's eyes that reminded him more of the immortals than of any human being. But the prince treated him with rare kindness and always pressed


The Enchanted Island of Yew
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

Matai Shang's reference to the hangar and the fliers indicated that my destination lay nothing short of the roof of the tower, and toward this seemingly distant goal I set my face. The most difficult and dangerous part of the journey was accomplished at last, and it was with relief that I felt my fingers close about the lowest of the stone cylinders. It is true that these projections were too far apart to make the balance of the ascent anything of a sinecure, but I at least


The Warlord of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber:

meanwhile packing Nos. 79, 65, and 48 into her personal bag:

"O Lord, let Fat Ed Meyers have Bahia; but please, please help me to land Rio and Buenos Aires!"

Then, in smart tailored suit and hat, interpreter in tow, a prayer in her heart, and excitement blazing in cheeks and eyes, she made her way to the dock, through the customs, into a cab that was to take her to her arena, the broad Avenida.

Exactly two hours later, there dashed into the customs-house a well-dressed woman whose hat was very much over one ear. She was running as only a woman runs when she's made up her mind to get there. She came hot-foot, helter-skelter, regardless of


Emma McChesney & Co.