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Today's Stichomancy for Alanis Morissette

The first excerpt represents the past or something you must release, and is drawn from Life in the Iron-Mills by Rebecca Davis:

"This is hot, with a vengeance. A match, please?"--lighting his cigar. "But the walk is worth the trouble. If it were not that you must have heard it so often, Kirby, I would tell you that your works look like Dante's Inferno."

Kirby laughed.

"Yes. Yonder is Farinata himself in the burning tomb,"-- pointing to some figure in the shimmering shadows.

"Judging from some of the faces of your men," said the other, "they bid fair to try the reality of Dante's vision, some day."

Young Kirby looked curiously around, as if seeing the faces of his hands for the first time.


Life in the Iron-Mills
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays & Lectures by Oscar Wilde:

civilisation much good. But that swift legion of fiery-footed engines that bore to the burning ruins of Chicago the loving help and generous treasure of the world was as noble and as beautiful as any golden troop of angels that ever fed the hungry and clothed the naked in the antique times. As beautiful, yes; all machinery may be beautiful when it is undecorated even. Do not seek to decorate it. We cannot but think all good machinery is graceful, also, the line of strength and the line of beauty being one.

Give then, as I said, to your workmen of to-day the bright and noble surroundings that you can yourself create. Stately and simple architecture for your cities, bright and simple dress for

The third excerpt represents the future or something you must embrace, and is drawn from The Cruise of the Jasper B. by Don Marquis:

looped girdle of blue velvet was the only other splash of color. But the full-leaved, expanded and matured rose became the vivid epitome and illustration of the woman herself. A rope of pearls that hung down to her waist added the touch of soft luster essential to preserve the picture from the reproach of being too obvious an assault upon the senses; Cleggett reflected that another woman might have gone too far and spoiled it all by wearing diamonds. Lady Agatha always knew where to stop.

"I have not been so hungry since I was in Holloway Jail," said Lady Agatha. And she ate with a candid gusto that pleased Cleggett, who loathed in a woman a finical affectation of