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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey:

he had once been. But he had been uplifted. Madeline Hammond declared that. She was swayed by a strong, beating pride, and her instinctive woman's faith told her that he could not stoop to such dishonor. She reproached herself for having momentarily thought of it.

One afternoon a huge storm-cloud swooped out of the sky and enveloped the crags. It obscured the westering sun and laid a mantle of darkness over the park. Madeline was uneasy because several of her party, including Helen and Dorothy, had ridden off with the cowboys that afternoon and had not returned. Florence assured her that even if they did not get back before the storm


The Light of Western Stars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ann Veronica by H. G. Wells:

Ann Veronica had remained standing while her aunt spoke.

"Do you mean, aunt," she asked, "that my father thought I had gone off--with some man?"

"What else COULD he think? Would any one DREAM you would be so mad as to go off alone?"

"After--after what had happened the night before?"

"Oh, why raise up old scores? If you could see him this morning, his poor face as white as a sheet and all cut about with shaving! He was for coming up by the very first train and looking for you, but I said to him, 'Wait for the letters,' and there, sure enough, was yours. He could hardly open the envelope, he trembled

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

quarter of the quaint metropolis, or dwellers in the dreamy paradises of the Teche,--mingled joyously, knowing each other, feeling in some sort akin--whether affiliated by blood, connaturalized by caste, or simply interassociated by traditional sympathies of class sentiment and class interest. Perhaps in the more than ordinary merriment of that evening something of nervous exaltation might have been discerned,--something like a feverish resolve to oppose apprehension with gayety, to combat uneasiness by diversion. But the hours passed in mirthfulness; the first general feeling of depression began to weigh less and less upon the guests; they had found reason to confide in the solidity of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

in Boston. He had chosen the place for purely symbolic and fantastically aesthetic reasons, since most of the interments were of the colonial period and therefore of little use to a scientist seeking very fresh bodies. The laboratory was in a sub-cellar secretly constructed by imported workmen, and contained a huge incinerator for the quiet and complete disposal of such bodies, or fragments and synthetic mockeries of bodies, as might remain from the morbid experiments and unhallowed amusements of the owner. During the excavation of this cellar the workmen had struck some exceedingly ancient masonry; undoubtedly connected with the old burying-ground, yet far too deep to correspond with any known sepulchre therein. After


Herbert West: Reanimator