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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Another Study of Woman by Honore de Balzac:

"A minute later, and apparently when the Colonel was snug in his couch of straw or hay, he repeated, 'Rosina?'

"The tone of this second call was even more brutally questioning than the first. The Colonel's strong burr, and the length which the Italian language allows to be given to vowels and the final syllable, concentrated all the man's despotism, impatience, and strength of will. Rosina turned pale, but she rose, passed behind us, and went to the Colonel.

"All the party sat in utter silence; I, unluckily, after looking at them all, began to laugh, and then they all laughed too.--'/Tu ridi?/ --you laugh?' said the husband.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Foolish Virgin by Thomas Dixon:

look for it. Don't you move now till I see--I know you're a liar----"

She turned and with the quick trembling fingers of her right hand tore the shirt back from the neck and saw the scar. She still held the bag in her left hand. The muscles slowly relaxed and the bag fell endwise to the floor, the gold crashing and rolling over the boards. She stared in stupor and threw both hands above her streaming gray hair.

"Lord God Almighty!" she shrieked. "Why didn't I think that he wuz somebody else's boy if he weren't

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Concerning Christian Liberty by Martin Luther:

over all the rest that belongs to the Christian religion. On the other hand, they are most pertinaciously resisted by those who strive after salvation solely by their observance of and reverence for ceremonies, as if they would be saved merely because they fast on stated days, or abstain from flesh, or make formal prayers; talking loudly of the precepts of the Church and of the Fathers, and not caring a straw about those things which belong to our genuine faith. Both these parties are plainly culpable, in that, while they neglect matters which are of weight and necessary for salvation, they contend noisily about such as are without weight and not necessary.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Buttered Side Down by Edna Ferber:

gloriously sweet, and cool, and clean in contrast to this. She was about to turn away, with a last look at Heiny yawning behind his hand, when suddenly the woman rose unsteadily to her feet, balancing herself with her finger tips on the table. She raised her head and stared across the room with dull, unseeing eyes, and licked her lips with her tongue. Then she turned and walked half a dozen paces, screamed once with horrible shrillness, and crashed to the floor. She lay there in a still, crumpled heap, the folds of her exquisite gown rippling to meet a little stale pool of wine that had splashed from some broken glass. Then this happened. Three people ran toward the woman on the floor, and two people ran


Buttered Side Down