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Today's Stichomancy for Alec Guinness

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Altar of the Dead by Henry James:

provide for him on the very ground of having discovered another of his turpitudes was not to pity but to glorify him. The more Stransom thought the more he made out that whatever this relation of Hague's it could only have been a deception more or less finely practised. Where had it come into the life that all men saw? Why had one never heard of it if it had had the frankness of honourable things? Stransom knew enough of his other ties, of his obligations and appearances, not to say enough of his general character, to be sure there had been some infamy. In one way or another this creature had been coldly sacrificed. That was why at the last as well as the first he must still leave him out and out.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jane Eyre by Charlotte Bronte:

lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full; the long and shadowy eyelash which encircles a fine eye with so soft a fascination; the pencilled brow which gives such clearness; the white smooth forehead, which adds such repose to the livelier beauties of tint and ray; the cheek oval, fresh, and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses--all advantages, in short, which, combined, realise the ideal of beauty, were fully hers. I wondered, as I looked at this fair creature: I admired her with my whole heart. Nature had surely formed her in a


Jane Eyre
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Merry Men by Robert Louis Stevenson:

'He is a little pagan,' said the landlady. 'For that matter, they are all the same, these mountebanks, tumblers, artists, and what not. They have no interior.'

But the Doctor was still scrutinising the little pagan, his eyebrows knotted and uplifted.

'What is your name?' he asked.

'Jean-Marie,' said the lad.

Desprez leaped upon him with one of his sudden flashes of excitement, and felt his head all over from an ethnological point of view.

'Celtic, Celtic!' he said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Letters of Two Brides by Honore de Balzac:

inheritance, they have killed the family spirit and created the State treasury. But all this has paved the way for weakened authority, for the blind force of the masses, for the decay of art and the supremacy of individual interests, and has left the road open to the foreign invader.

"We stand between two policies--either to found the State on the basis of the family, or to rest it on individual interest--in other words, between democracy and aristocracy, between free discussion and obedience, between Catholicism and religious indifference. I am among the few who are resolved to oppose what is called the people, and that in the people's true interest. It is not now a question of feudal