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Today's Stichomancy for Alec Guinness

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kwaidan by Lafcadio Hearn:

literary tasks. Hi has seen marvels, and he has told of them in a marvelous way. There is scarcely an aspect of contemporary Japanese life, scarcely an element in the social, political, and military questions involved in the present conflict with Russia which is not made clear in one or another of the books with which he has charmed American readers.

He characterizes Kwaidan as "stories and studies of strange things." A hundred thoughts suggested by the book might be written down, but most of them would begin and end with this fact of strangeness. To read the very names in the table of contents is like listening to a Buddhist bell, struck somewhere far away. Some of his tales are of the long ago, and yet they seem to illumine the very souls and minds of the little men who are at this


Kwaidan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edition of The Ambassadors by Henry James:

her, she mustn't be charming; and this frankly in spite of the stigma of failure in the tie where failure always most showed. It was no test there--when indeed WAS it a test there?--for Monsieur de Vionnet had been a brute. She had lived for years apart from him--which was of course always a horrid position; but Miss Gostrey's impression of the matter had been that she could scarce have made a better thing of it had she done it on purpose to show she was amiable. She was so amiable that nobody had had a word to say; which was luckily not the case for her husband. He was so impossible that she had the advantage of all her merits.

It was still history for Strether that the Comte de Vionnet--it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Altar of the Dead by Henry James:

for in the intercourse of the world. They ended one day - they never knew which of them expressed it first - by throwing out the idea that they didn't care for each other. Over this idea they grew quite intimate; they rallied to it in a way that marked a fresh start in their confidence. If to feel deeply together about certain things wholly distinct from themselves didn't constitute a safety, where was safety to be looked for? Not lightly nor often, not without occasion nor without emotion, any more than in any other reference by serious people to a mystery of their faith; but when something had happened to warm, as it were, the air for it, they came as near as they could come to calling their Dead by name.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

bright light, and from which came the joyous sound of several voices. Sarrasine was suddenly blinded when, at a word from the old woman, he was admitted to that mysterious apartment and found himself in a salon as brilliantly lighted as it was sumptuously furnished; in the centre stood a bountifully supplied table, laden with inviolable bottles, with laughing decanters whose red facets sparkled merrily. He recognized the singers from the theatre, male and female, mingled with charming women, all ready to begin an artists' spree and waiting only for him. Sarrasine restrained a feeling of displeasure and put a good face on the matter. He had hoped for a dimly lighted chamber, his mistress leaning over a brazier, a jealous rival within two steps,