| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Misalliance by George Bernard Shaw: well. You had better leave us until you have recovered yourself.
_Bentley goes out in disgrace, but gets no further than half way to
the pavilion door, when, with a wild sob, he throws himself on the
floor and begins to yell._
MRS TARLETON. | _[running to him]_ Oh, poor child,
| poor child! Dont cry, duckie:
| he didnt mean it: dont cry.
|
LORD SUMMERHAYS| Stop that infernal noise, sir: do you
| hear? Stop it instantly.
|
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Illustrious Gaudissart by Honore de Balzac: the good-man has seen them he insists on bottling them off himself!"
Madame Vernier had related the poor woman's trouble to her husband
just before the entrance of Gaudissart, and at the first words of the
famous traveller Vernier determined that he should be made to grapple
with Margaritis.
"Monsieur," said the ex-dyer, as soon as the illustrious Gaudissart
had fired his first broadside, "I will not hide from you the great
difficulties which my native place offers to your enterprise. This
part of the country goes along, as it were, in the rough,--"suo modo."
It is a country where new ideas don't take hold. We live as our
fathers lived, we amuse ourselves with four meals a day, and we
|