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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the past or something you must release, and is drawn from The Black Tulip by Alexandre Dumas:

The pigeons were still there, but hope was not there; there was no future to look forward to.

Alas! Rosa, being watched, was no longer able to come. Could she not write? and if so, could she convey her letters to him?

No, no. He had seen during the two preceding days too much fury and malignity in the eyes of old Gryphus to expect that his vigilance would relax, even for one moment. Moreover, had not she to suffer even worse torments than those of seclusion and separation? Did this brutal, blaspheming, drunken bully take revenge on his daughter, like the


The Black Tulip
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

is an irrepressible gaiety of genius which enables it to bear the whole weight of the world's misery without blenching. There is a laugh always ready to avenge its tears of discouragement. In the lines which Mr Harris quotes only to declare that he can make nothing of them, and to condemn them as out of character, Richard III, immediately after pitying himself because

There is no creature loves me And if I die no soul will pity me, adds, with a grin,

Nay, wherefore should they, since that I myself

The third excerpt represents the future or something you must embrace, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

from the bit of glass in the rear as the cart rattles ahead, doubtless being suspicious of hatless young women wandering along country roads at dusk, alone. There was that in the staring eye to which I took exception. It wore an expression which made me feel sure that the mouth below it was all a-grin, if I could but have seen it. It was bad enough to be stared at by the fishy Schimmelpfennig eye, but to be grinned at by the Schimmelpfennig mouth!--I resented it. In order to show my resentment I turned my back on the Schimmelpfennig cart and pretended to look up the road which I had just