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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the past or something you must release, and is drawn from Nada the Lily by H. Rider Haggard:

named Mopo, son of Makedama. It well may be that all are guilty."

So these stood on one side also, and a third party took up the tale. And they named certain of the great generals, and were in turn bidden to stand on one side together with those whom they had named.

So it went on through all the day. Company by company the women doomed their victims, till there were no more left in their number, and were commanded to stand aside together with those whom they had doomed. Then the male Isanusis began, and I could see well that by this time their hearts were fearful, for they smelt a snare. Yet the king's bidding must be done, and though their magic failed them here, victims must be found. So they smelt out this man and that man till we were a


Nada the Lily
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

prospects, he began to caper about the kitchen like a hobgoblin, with the queerest antics of his lean limbs, and gesticulations of his starved features. Nay, in the exuberance of his feelings, he seized both of Tabitha's hands, and danced the old lady across the floor, till the oddity of her rheumatic motions set him into a roar of laughter, which was echoed back from the rooms and chambers, as if Peter Goldthwaite were laughing in every one. Finally he bounded upward almost out of sight, into the smoke that clouded the roof of the kitchen, and, alighting safely on the floor again, endeavored to resume his customary gravity.

"To-morrow, at sunrise," he repeated, taking his lamp to retire


Twice Told Tales
The third excerpt represents the future or something you must embrace, and is drawn from Bureaucracy by Honore de Balzac:

attach their salaries. The implacable Baudoyer compelled the clerks to remain at their desks and endure this torture. "It was their place not to make debts," he said; and he considered his severity as a duty which he owed to the public weal. Rabourdin, on the contrary, protected the clerks against their creditors, and turned the latter away, saying that the government bureaus were open for public business, not private. Much ridicule pursued Vimeux in both bureaus when the clank of his spurs resounded in the corridors and on the staircases. The wag of the ministry, Bixiou, sent round a paper, headed by a caricature of his victim on a pasteboard horse, asking for subscriptions to buy him a live charger. Monsieur Baudoyer was down