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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

or disturb them.

Near the skeleton lay a helmet of hammered brass and a corroded breastplate of steel while at one side was a long, straight sword in its scabbard and an ancient harquebus. The bones were those of a large man -- a man of wondrous strength and vitality Tarzan knew he must have been to have pene- trated thus far through the dangers of Africa with such a ponderous yet at the same time futile armament.

The ape-man felt a sense of deep admiration for this name- less adventurer of a bygone day. What a brute of a man he must have been and what a glorious tale of battle and kaleido-


Tarzan the Untamed
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights, I deliberately went to the depths in the search for new sensation. What the paradox was to me in the sphere of thought, perversity became to me in the sphere of passion. Desire, at the end, was a malady, or a madness, or both. I grew careless of the lives of others. I took pleasure where it pleased me, and passed on. I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the housetop. I ceased to be lord over myself. I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

The next ten minutes might have been ten seconds or ten centuries for all my consciousness had to do with it. People might have been falling dead around me, houses crumbling, guns firing, I wouldn't have known. I was thinking: "By Jove! I have got it." IT being the command. It had come about in a way utterly unforeseen in my modest day-dreams.

I perceived that my imagination had been run- ning in conventional channels and that my hopes had always been drab stuff. I had envisaged a


The Shadow Line
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

street, or beneath the arcades of the Palais-Royal, or in any part of the world where chance may offer him the sight, a being, man or woman, at whose aspect a thousand confused thoughts spring into his mind? At that sight we are suddenly interested, either by features of some fantastic conformation which reveal an agitated life, or by a singular effect of the whole person, produced by gestures, air, gait, clothes; or by some deep, intense look; or by other inexpressible signs which seize our minds suddenly and forcibly without our being able to explain even to ourselves the cause of our emotion. The next day other thoughts and other images have carried out of sight that passing dream. But if we meet the same personage again, either passing at some


Ferragus