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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

"Oh, yes; the hay," said Woot. "What are you waiting for, Captain Fyter?"

At once the Tin Soldier set to work cutting hay with his sword and in a few minutes there was quite enough with which to stuff the Scarecrow's body. Woot and Polychrome did this and it was no easy task because the hay packed together more than straw and as they had little experience in such work their job, when completed, left the Scarecrow's arms and legs rather bunchy. Also there was a hump on his back which made Woot laugh and say it reminded him of a camel, but it


The Tin Woodman of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

Lottie looked at both of them. Then she hung her head; her lip quivered. "I don't want to play," she whispered. The others glanced at one another like conspirators. All of them knew what that meant. She would go away and be discovered somewhere standing with her pinny thrown over her head, in a corner, or against a wall, or even behind a chair.

"Yes, you do, Lottie. It's quite easy," said Kezia.

And Isabel, repentant, said exactly like a grown-up, "Watch me, Lottie, and you'll soon learn."

"Cheer up, Lot," said Pip. "There, I know what I'll do. I'll give you the first one. It's mine, really, but I'll give it to you. Here you are." And he slammed the card down in front of Lottie.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Damaged Goods by Upton Sinclair:

moderate sum of money which George handed him in parting. He promised to break the news gently to Lizette, and George went away with his mind made up that he would never see her again.

This resolution he kept, and he considered himself very virtuous in doing it. But the truth was that he had grown used to intimacy with a woman, and was restless without it. And that, he told himself, was why he yielded to the shameful temptation the night of that fatal supper party.

He paid for the misadventure liberally in remorse. He felt that he had been a wretch, that he had disgraced himself forever, that he had proved himself unworthy of the pure girl he was to marry.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:

a little clumsy in movement, and suggested country birth and a descent from respectable hard-working ancestors, who had been men of faith and integrity rather than doubters or fanatics.

At the end of a fairly hard day's work it was certainly something of an effort to clear one's room, to pull the mattress off one's bed, and lay it on the floor, to fill a pitcher with cold coffee, and to sweep a long table clear for plates and cups and saucers, with pyramids of little pink biscuits between them; but when these alterations were effected, Mary felt a lightness of spirit come to her, as if she had put off the stout stuff of her working hours and slipped over her entire being some vesture of thin, bright silk. She knelt before the