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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From London to Land's End by Daniel Defoe:

themselves to live by their labour, to whatsoever trades or employments they were brought up. In the next place, it was inquired what employments those poor people were brought up to. It was answered there were husbandmen and artificers of all sorts, upon which the proposal was as follows. New Forest, in Hampshire, was singled out to be the place:-

Here it was proposed to draw a great square line containing four thousand acres of land, marking out two large highways or roads through the centre, crossing both ways, so that there should be a thousand acres in each division, exclusive of the land contained in the said cross-roads.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

unpainted paneling of its woodwork.

"Come right in, dear," she said. "I want you to set down in my old quilted rockin'-chair there by the window; you'll say it's the prettiest view in the house. I set there a good deal to rest me and when I want to read."

There was a worn red Bible on the lightstand, and Mrs. Blackett's heavy silver-bowed glasses; her thimble was on the narrow window-ledge, and folded carefully on the table was a thick striped-cotton shirt that she was making for her son. Those dear old fingers and their loving stitches, that heart which had made the most of everything that needed love! Here was the real home,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams & Dust by Don Marquis:

A rain of spirit and a dew of song!

A MOOD OF PAVLOWA

THE soul of the Spring through its body of earth Bursts in a bloom of fire, And the crocuses come in a rainbow riot of mirth.... They flutter, they burn, they take wing, they aspire. . . . Wings, motion and music and flame, Flower, woman and laughter, and all these the same! She is light and first love and the youth of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Menexenus by Plato:

Menexenus would be at the end of the Phaedrus. The satirical opening and the concluding words bear a great resemblance to the earlier dialogues; the oration itself is professedly a mimetic work, like the speeches in the Phaedrus, and cannot therefore be tested by a comparison of the other writings of Plato. The funeral oration of Pericles is expressly mentioned in the Phaedrus, and this may have suggested the subject, in the same manner that the Cleitophon appears to be suggested by the slight mention of Cleitophon and his attachment to Thrasymachus in the Republic; and the Theages by the mention of Theages in the Apology and Republic; or as the Second Alcibiades seems to be founded upon the text of Xenophon, Mem. A similar taste for parody appears not only in the Phaedrus, but in the