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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great God Pan by Arthur Machen:

peered over an abyss, and has drawn back in terror. What I know is strange enough and horrible enough, but beyond my knowledge there are depths and horrors more frightful still, more incredible than any tale told of winter nights about the fire. I have resolved, and nothing shall shake that resolve, to explore no whit farther, and if you value your happiness you will make the same determination.

"Come and see me by all means; but we will talk on more cheerful topics than this."

Austin folded the letter methodically, and returned it to Villiers.


The Great God Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Baby Mine by Margaret Mayo:

with people being murdered in their beds every night? Read the papers."

"Always an excuse," sighed Alfred resignedly. "There always HAS been and there always would be if I'd stay to listen. Well, for once," he declared, "I'm glad that we have no children. If we had, I might feel some obligation to keep up this farce of a marriage. As it is," he continued, "YOU are free and _I_ am free." And with a courtly wave of his arm, he dismissed Zoie and the entire subject, and again he started in pursuit of Mary and his hat.

"If it's your freedom you wish," pouted Zoie with an abused air,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When the World Shook by H. Rider Haggard:

entirely sealed the entrance. Now this entrance was once more open, and although of course there was a break in them, the grooves of which I have spoken ran on into the cave at only a slightly different level from that at which they lay upon the flat rock. And yet, although they had been thus sheltered by a great stone curtain in front of them, still these sculptures were worn away by the tooth of Time. Of course, however, this may have happened to them before they were buried in some ancient cataclysm, to be thus resurrected at the hour of our arrival upon the island.

Without pausing to make any closer examination of these


When the World Shook
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

the story can get around. You get it, don't you? Your friend, in order to prove that the idea of the Play is right, goes out for a job, and proves that he cannot demand Laber and get it." He stopped and spoke with excitement: "Is he a real sport? Would he stand being arested? Because that would cinch it."

But here I drew a line. I would not subject him to such humiliation. I would not have him arested. And at last Carter gave in.

"But you get the Idea," he said. "There'll be the deuce of a Row, and it's good for a half collumn on the first page of the evening papers. Result, a jamb that night at the performence, and a new lease of life for the Play. Egleston comes on, bruized and