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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from Arizona Nights by Stewart Edward White:

orange--the poppies. And perhaps ahead a little shadow blotted the face of the alkali, which, being reached and entered, spread like fire until it, too, filled the whole plain, until it, too, arrogated to itself the right of typifying Soda Springs Valley as a shimmering prairie of mesquite. Flowered upland, dead lowland, brush, cactus, volcanic rock, sand, each of these for the time being occupied the whole space, broad as the sea. In the circlet of the mountains was room for many infinities.

Among the foothills Senor Johnson, for the first time, appreciated colour. Hundreds of acres of flowers filled the velvet creases of the little hills and washed over the smooth,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

which knows no race or colour.' I wish that on our banner were blazoned in large letters "Justice and Mercy", and that in every new land which our feet touch, every son among us might see ever blazoned above his head that banner, and below it the great order:--"By this sign, Conquer!"--and that the pirate flag which some men now wave in its place, may be torn down and furled for ever! Shall I condone the action of some, simply because they happen to be of my own race, when in Bushman or Hottentot I would condemn it? Shall men belonging to one of the mightiest races of earth, creep softly on their bellies, to attack an unwarned neighbour; when even the Kaffir has again and again given notice of war, saying, 'Be ready, on such and such a day I come to fight you?' Is England's power so broken, and our

The third excerpt represents the future or something you must embrace, and is drawn from Summer by Edith Wharton:

He had gone to the barber's to be shaved, and his shaggy grey hair had been trimmed and smoothed. He moved strongly and quickly, squaring his shoulders and carrying his head high, as if he did not want to pass unnoticed.

"What are you doing in the dark?" he called out in a cheerful voice. Charity made no answer. He went up to the window to draw the blind, and putting his finger on the wall flooded the room with a blaze of light from the central chandelier. In this unfamiliar illumination husband and wife faced each other