| The first excerpt represents the past or something you must release, and is drawn from War and Peace by Leo Tolstoy: passage. From the host's room came the sounds of a child crying, the
despairing sobs of a woman, and the hoarse angry shouting of
Ferapontov. The cook began running hither and thither in the passage
like a frightened hen, just as Alpatych entered.
"He's done her to death. Killed the mistress!... Beat her... dragged
her about so!..."
"What for?" asked Alpatych.
"She kept begging to go away. She's a woman! 'Take me away,' says
she, 'don't let me perish with my little children! Folks,' she says,
'are all gone, so why,' she says, 'don't we go?' And he began
beating and pulling her about so!"
War and Peace |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams by Olive Schreiner: he shall not know, serve him; if you have anything you value share it with
him, so, serving him, you will at last come to feel possession in him, and
you will forgive.' And he said, 'I will do it.' Afterwards, as I passed
by in the dark of night, I heard one crying out, 'I have done all. It
helps nothing! My speaking well of him helps me nothing! If I share my
heart's blood with him, is the burning within me less? I cannot forgive; I
cannot forgive! Oh, God, I cannot forgive!'
"I said to him, 'See here, look back on all your past. See from your
childhood all smallness, all indirectness that has been yours; look well at
it, and in its light do you not see every man your brother? Are you so
sinless you have right to hate?'
|
The third excerpt represents the future or something you must embrace, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: washing with a sponge dipped in eau-de-Cologne, and invested in soaps
of the most expensive quality, in order to communicate to his skin a
more elegant polish.
[3] A silver quarter rouble.
But suddenly there appeared upon the scene a new Director--a military
man, and a martinet as regarded his hostility to bribe-takers and
anything which might be called irregular. On the very day after his
arrival he struck fear into every breast by calling for accounts,
discovering hosts of deficits and missing sums, and directing his
attention to the aforesaid fine houses of civilian architecture. Upon
that there ensued a complete reshuffling. Tchinovniks were retired
Dead Souls |
