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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

taste a mouthful of food as long as she should be compelled to remain in King Pluto's palace. How she contrived to maintain her resolution, and at the same time to keep herself tolerably plump and rosy, is more than I can explain; but some young ladies, I am given to understand, possess the faculty of living on air, and Proserpina seems to have possessed it too. At any rate, it was now six months since she left the outside of the earth; and not a morsel, so far as the attendants were able to testify, had yet passed between her teeth. This was the more creditable to Proserpina, inasmuch as King Pluto had caused her to be tempted day by day, with all manner of sweetmeats, and


Tanglewood Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

she marveled, with the exceedingly great marveling of a woman to whom love of a man has never come, at a woman who could give so much and with no return.

Little enough to pack had Viola. Jane under- stood with a shudder of horror that it was almost destitution, not poverty, to which her old friend was reduced.

"You shall have that northeast room which you always liked," she told Viola when they were on the train.

The third excerpt represents the future or something you must embrace, and is drawn from My Bondage and My Freedom by Frederick Douglass:

a dozen words with one of the waiters in Sol. Lowe's hotel. Such waiters were in the way of hearing, at the table, the probable course of things. We could see them flitting about in their white jackets in front of this hotel, but could speak to none of them.

Soon after the holidays were over, contrary to all our expectations, Messrs. Hamilton and Freeland came up to Easton; not to make a bargain with the "Georgia traders," nor to send us up to Austin Woldfolk, as is usual in the case of run-away salves, <232>but to release Charles, Henry Harris, Henry Baily and John Harris, from prison, and this, too, without the


My Bondage and My Freedom