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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The White Moll by Frank L. Packard:

Danglar's gaunt, swarthy face showed under the rays of a shaded oil lamp. Behind her spectacles, she met his small, black ferret eyes steadily.

"Hello, Bertha!" he called out cheerily. "How's the old girl to-night?" He rose from his seat to come toward her. "And how's the cold?"

Rhoda Gray scowled at him.

"Worse!" she said curtly-and hoarsely. "And a lot you care! I could have died in that hole, for all you knew! She pushed him irritably away, as he came near her. "Yes, that's what I said! And you needn't start any cooing game now! Get down to cases!"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

'shrieking' among the shingle as it fell head over heels at your feet. I watched if it threw the big stones at the wall; but it never moved them.

MONDAY. - The end of the work displays gaps, cairns of ten ton blocks, stones torn from their places and turned right round. The damage above water is comparatively little: what there may be below, ON NE SAIT PAS ENCORE. The roadway is torn away, cross heads, broken planks tossed here and there, planks gnawn and mumbled as if a starved bear had been trying to eat them, planks with spales lifted from them as if they had been dressed with a rugged plane, one pile swaying to and fro clear of the bottom, the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Prince of Bohemia by Honore de Balzac:

"Do you call it good luck to go back to one's husband?"

"No; only great luck. Come, I am listening."

And Mme. de la Baudraye read as follows:

"Scene--a splendid salon in the Rue de Chartres-du-Roule. One of the most famous writers of the day discovered sitting on a settee beside a very illustrious Marquise, with whom he is on such terms of intimacy, as a man has a right to claim when a woman singles him out and keeps him at her side as a complacent /souffre- douleur/ rather than a makeshift."

"Well," says she, "have you found those letters of which you spoke yesterday? You said that you could not tell me all about /him/ without

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

enfilades Princes Street, black with traffic, and has a broad look over the valley between the Old Town and the New: here, full of railway trains and stepped over by the high North Bridge upon its many columns, and there, green with trees and gardens.

On the north, the Calton Hill is neither so abrupt in itself nor has it so exceptional an outlook; and yet even here it commands a striking prospect. A gully separates it from the New Town. This is Greenside, where witches were burned and tournaments held in former days. Down that almost precipitous bank, Bothwell launched his