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Today's Stichomancy for Alyssa Milano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Breaking Point by Mary Roberts Rinehart:

Lucy was buried the next afternoon. It was raining, and the quiet procession followed Dick and the others who carried her light body under grotesquely bobbing umbrellas. Then he and David, and Minnie and Mike, went back to the house, quiet with that strange emptiness that follows a death, the unconscious listening for a voice that will not speak again, for a familiar footfall. David had not gone upstairs. He sat in Lucy's sitting-room, in his old frock coat and black tie, with a knitted afghan across his knees. His throat looked withered in his loose collar. And there for the first time they discussed the future.

"You're giving up a great deal, Dick," David said. "I'm proud of


The Breaking Point
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

"I fought with the stupor that was overcoming me," continued West, "striving to associate that vaguely familiar name with the fantastic things through which I moved. It seemed to me that the room was empty again. I made for the hall, for the telephone. I could scarcely drag my feet along. It seemed to take me half-an-hour to get there. I remember calling up Scotland Yard, and I remember no more."

There was a short, tense interval.

In some respects I was nonplused; but, frankly, I think Inspector Weymouth considered West insane. Smith, his hands locked behind his back, stared out of the window.

"ANDAMAN--SECOND" he said suddenly. "Weymouth, when is the first


The Insidious Dr. Fu-Manchu
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

my liberty. I have observed this in my experience of slavery,--that whenever my condition was im- proved, instead of its increasing my contentment, it only increased my desire to be free, and set me to thinking of plans to gain my freedom. I have found that, to make a contented slave, it is necessary to make a thoughtless one. It is necessary to darken his moral and mental vision, and, as far as possible, to annihilate the power of reason. He must be able to detect no inconsistencies in slavery; he must be made to feel that slavery is right; and he can be brought


The Narrative of the Life of Frederick Douglass: An American Slave
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Just Folks by Edgar A. Guest:

But when taken altogether It's a good old world we're on. I might tell how I would make it, But when I have had my say It is still my job to take jt As it is, from day to day.

I might wish that men were kinder, And less eager after gold; I might wish that they were blinder To the faults they now behold. And I'd try to make them gentle,


Just Folks