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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the past or something you must release, and is drawn from Protagoras by Plato:

But shall I tell you a strange thing? I paid no attention to him, and several times I quite forgot that he was present.

COMPANION: What is the meaning of this? Has anything happened between you and him? For surely you cannot have discovered a fairer love than he is; certainly not in this city of Athens.

SOCRATES: Yes, much fairer.

COMPANION: What do you mean--a citizen or a foreigner?

SOCRATES: A foreigner.

COMPANION: Of what country?

SOCRATES: Of Abdera.

COMPANION: And is this stranger really in your opinion a fairer love than

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

deposition it was stated that the posterior third of the left parietal bone and the left half of the occipital bone hail been shattered by a heavy blow from a blunt weapon. I marked the spot upon my own head. Clearly such a blow must have been struck from behind. That was to some extent in favor of the accused, as when seen quarrelling he was face to face with his father. Still, it did not go for very much, for the older man might have turned his back before the blow fell. Still, it might be worth while to call Holmes's attention to it. Then there was the peculiar dying reference to a rat. What could that mean? It could not be delirium. A man dying from a sudden blow does not commonly become


The Adventures of Sherlock Holmes
The third excerpt represents the future or something you must embrace, and is drawn from Phaedrus by Plato:

been written in youth. As little weight can be attached to the argument that Plato must have visited Egypt before he wrote the story of Theuth and Thamus. For there is no real proof that he ever went to Egypt; and even if he did, he might have known or invented Egyptian traditions before he went there. The late date of the Phaedrus will have to be established by other arguments than these: the maturity of the thought, the perfection of the style, the insight, the relation to the other Platonic Dialogues, seem to contradict the notion that it could have been the work of a youth of twenty or twenty-three years of age. The cosmological notion of the mind as the primum mobile, and the admission of impulse into the immortal nature, also afford grounds for assigning a later date. (Compare Tim., Soph., Laws.)