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Today's Stichomancy for Andrew Carnegie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

Catholic devil, or, at least, used to Catholic ways. So then I reasoned thus: if this sign of the cross were used in a Popey manner it would be sinful, but when it is used only to protect men from a devil, which is a thing harmless in itself, the sign too must be, as a bottle is neither good nor bad, harmless. For the sign is neither good nor bad. But if the bottle be full of gin, the gin is bad; and if the sign be made in idolatry bad, so is the idolatry.' And, very like a native pastor, he had a text apposite about the casting out of devils.

"'And who has been telling you about the Evil Eye?' I asked.

"He admitted it was Case. Now, I am afraid you will think me very

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Aspern Papers by Henry James:

after pulling the rusty bell wire, by a little red-headed, white-faced maidservant, who was very young and not ugly and wore clicking pattens and a shawl in the fashion of a hood. She had not contented herself with opening the door from above by the usual arrangement of a creaking pulley, though she had looked down at me first from an upper window, dropping the inevitable challenge which in Italy precedes the hospitable act. As a general thing I was irritated by this survival of medieval manners, though as I liked the old I suppose I ought to have liked it; but I was so determined to be genial that I took my false card out of my pocket and held it up to her,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Sharer by Joseph Conrad:

I came out again on the quarter-deck, agreeably at ease in my sleeping suit on that warm breathless night, barefooted, a glowing cigar in my teeth, and, going forward, I was met by the profound silence of the fore end of the ship. Only as I passed the door of the forecastle, I heard a deep, quiet, trustful sigh of some sleeper inside. And suddenly I rejoiced in the great security of the sea as compared with the unrest of the land, in my choice of that untempted life presenting no disquieting problems, invested with an elementary moral beauty by the absolute straightforwardness of its appeal and by the singleness of its purpose.

The riding light in the forerigging burned with a clear, untroubled,


The Secret Sharer
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

down a fare, he made a sign to the driver to wait.

"Follow that carriage, notice the house and the street where it stops --you shall have ten francs. . . . Paul, adieu."

The cab followed the /coupe/. The /coupe/ stopped in the Rue Saint Lazare before one of the finest houses of the neighborhood.

De Marsay was not impulsive. Any other young man would have obeyed his impulse to obtain at once some information about a girl who realized so fully the most luminous ideas ever expressed upon women in the poetry of the East; but, too experienced to compromise his good fortune, he had told his coachman to continue along the Rue Saint Lazare and carry him back to his house. The next day, his confidential


The Girl with the Golden Eyes