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Today's Stichomancy for Andy Warhol

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 1984 by George Orwell:

The little beetle-like men who scuttle so nimbly through the labyrinthine corridors of Ministries they, too, would never be vaporized. And the girl with dark hair, the girl from the Fiction Department--she would never be vaporized either. It seemed to him that he knew instinctively who would survive and who would perish: though just what it was that made for survival, it was not easy to say.

At this moment he was dragged out of his reverie with a violent jerk. The girl at the next table had turned partly round and was looking at him. It was the girl with dark hair. She was looking at him in a sidelong way, but with curious intensity. The instant she caught his eye she looked away again.


1984
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Faith of Men by Jack London:

live on the rim of the Arctic sea]

Thomas Stevens's veracity may have been indeterminate as X, and his imagination the imagination of ordinary men increased to the nth power, but this, at least, must be said: never did he deliver himself of word nor deed that could be branded as a lie outright. . . He may have played with probability, and verged on the extremest edge of possibility, but in his tales the machinery never creaked. That he knew the Northland like a book, not a soul can deny. That he was a great traveller, and had set foot on countless unknown trails, many evidences affirm. Outside of my own personal knowledge, I knew men that had met him everywhere, but principally

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

"Ah! why do you paint that? it is not necessary: and you have made it here, in several places, rather yellow; and here, quite so, like dark spots."

The artist undertook to explain that the spots and yellow tinge would turn out well, that they brought out the delicate and pleasing tones of the face. He was informed that they did not bring out tones, and would not turn out well at all. It was explained to him that just to-day Lise did not feel quite well; that she never was sallow, and that her face was distinguished for its fresh colouring.

Sadly he began to erase what his brush had put upon the canvas. Many a nearly imperceptible feature disappeared, and with it vanished too a


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Criminal Sociology by Enrico Ferri:

them the fallacious protection of one or two articles in the penal code.

I will myself add a criticism of the theory of penal substitutes, and it is that they are difficult of application. We have only to think of the immense force of inertia in the habits, traditions and interests which have to be overcome before we can secure the appli

cation, not of all, but of any one of the penal substitutes which I have enumerated. And some of these are not simple, or based on a single principle, but comprise an assemblage of co-ordinated reforms, like the prevention of drunkenness, the protection of abandoned children, the accessibility of justice,