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Today's Stichomancy for Andy Warhol

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Long Odds by H. Rider Haggard:

she looks desolate.

"Well, I passed into the kraal, and went up to the principal hut. In front of the hut was something with an old sheep-skin kaross thrown over it. I stooped down and drew off the rug, and then shrank back amazed, for under it was the body of a young woman recently dead. For a moment I thought of turning back, but my curiosity overcame me; so going past the dead woman, I went down on my hands and knees and crept into the hut. It was so dark that I could not see anything, though I could smell a great deal, so I lit a match. It was a 'tandstickor' match, and burnt slowly and dimly, and as the light gradually increased I made out what I took to be a family of people, men, women, and children, fast asleep.


Long Odds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Cruise of the Jasper B. by Don Marquis:

It seemed as if one of those terrible, but brilliant, duels, with which that room was so familiar, was about to be enacted. . . . But he laid the rapier down. After all, the rapier is scarcely a thing of this century. Cleggett, for the first time, felt a little impatient with the rapier. It is all very well to DREAM with a rapier. But now, he was free; reality was before him; the world of actual adventure called. He had but to choose!

He considered. He tried to look into that bright, adventurous future. Presently he went to the window, and gazed out. Tides of night and mystery, flooding in from the farther, dark, mysterious ocean, all but submerged lower Manhattan; high and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lucile by Owen Meredith:

We, alas! have mistaken each other. Once more Illusion, to-night, in my lifetime is o'er. Duc de Luvois, adieu!" From the heart-breaking gloom Of that vacant, reproachful, and desolate room, He felt she was gone--gone forever!

IX.

No word, The sharpest that ever was edged like a sword, Could have pierced to his heart with such keen accusation As the silence, the sudden profound isolation,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Paz by Honore de Balzac:

but I have taken the whole charge of your affairs, managed your servants, and looked after the very least details. I cannot leave you until I see you prepared to continue my management. You have now been married three years, and you are safe from the temptations to extravagance which come with the honeymoon. I see that Parisian women, and even titled ones, do manage both their fortunes and their households. Well, as soon as I am certain not so much of your capacity as of your perseverance I shall leave Paris."

"It is Thaddeus of Warsaw, and not that Circus Thaddeus who speaks now," said Clementine. "Go, and come back cured."

"Cured! never," said Paz, his eyes lowered and fixed on Clementine's