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Today's Stichomancy for Andy Warhol

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lily of the Valley by Honore de Balzac:

bear: Or, a cross potent and counter-potent sable, charged with a fleur-de-lis or; and 'Dieu saulve le Roi notre Sire,' for motto. The count settled here after the return of the emigration. The estate belongs to his wife, a demoiselle de Lenoncourt, of the house of Lenoncourt-Givry which is now dying out. Madame de Mortsauf is an only daughter. The limited fortune of the family contrasts strangely with the distinction of their names; either from pride, or, possibly, from necessity, they never leave Clochegourde and see no company. Until now their attachment to the Bourbons explained this retirement, but the return of the king has not changed their way of living. When I came to reside here last year I paid them a visit of courtesy; they returned


The Lily of the Valley
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

5, or multiply the ratios of the sides by the hypotenuse, we shall by first squaring and then cubing obtain two expressions, which denote the ratio of the two last pairs of terms in the Platonic Tetractys, the former multiplied by the square, the latter by the cube of the number 10, the sum of the first four digits which constitute the Platonic Tetractys.' The two (Greek) he elsewhere explains as follows: 'The first (Greek) is (Greek), in other words (4/3 x 5) all squared = 100 x 2 squared over 3 squared. The second (Greek), a cube of the same root, is described as 100 multiplied (alpha) by the rational diameter of 5 diminished by unity, i.e., as shown above, 48: (beta) by two incommensurable diameters, i.e. the two first irrationals, or 2 and 3: and (gamma) by the cube of 3, or 27. Thus we


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

KING OF ARRAGON. What we have to recite would tedious prove By declaration; therefore, in, and feast: To morrow the performance shall explain, What Words conceal; till then, Drums speak, Bells ring, Give plausive welcomes to our brother King.

[Sound Drums and Trumpets. Exeunt omnes.]

EPILOGUE.

[Enter Comedy and Envy.]

COMEDY.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Research Magnificent by H. G. Wells:

the coast. The sea was deserted save for a couple of little lateen craft with suns painted on their gaudy sails, sea butterflies that hung motionless as if unawakened close inshore. . . .

The travel of the last few weeks had impressed Benham's imagination profoundly. For the first time in his life he had come face to face with civilization in defeat. From Venice hitherward he had marked with cumulative effect the clustering evidences of effort spent and power crumbled to nothingness. He had landed upon the marble quay of Pola and visited its deserted amphitheatre, he had seen a weak provincial life going about ignoble ends under the walls of the great Venetian fortress and the still more magnificent cathedral of