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Today's Stichomancy for Angelina Jolie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Pons by Honore de Balzac:

promoting railways, he became a shareholder in the lines. His shrewdness was carefully hidden beneath the frank carelessness of a man of pleasure; he seemed to be interested in nothing but amusements and dress, yet he thought everything over, and his wide experience of business gained as a commercial traveler stood him in good stead.

A self-made man, he did not take himself seriously. He gave suppers and banquets to celebrities in rooms sumptuously furnished by the house decorator. Showy by nature, with a taste for doing things handsomely, he affected an easy-going air, and seemed so much the less formidable because he had kept the slang of "the road" (to use his own expression), with a few green-room phrases superadded. Now, artists in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gambara by Honore de Balzac:

be exhausted; you have never heard anything like it before; and yet it is homogeneous. You have had life set before you, and its one and only /crux/: 'Shall I be happy or unhappy?' is the philosopher's query. 'Shall I be saved or damned?' asks the Christian."

With these words Gambara struck the last chord of the chorus, dwelt on it with a melancholy modulation, and then rose to drink another large glass of Giro. This half-African vintage gave his face a deeper flush, for his passionate and wonderful sketch of Meyerbeer's opera had made him turn a little pale.

"That nothing may be lacking to this composition," he went on, "the great artist has generously added the only /buffo/ duet permissible


Gambara
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

that sprawled all day upon the lockers, tippling and reading novels; in the fool who made of the evening watch a public carouse on the quarter-deck, it would have been hard to recognise the vigorous seaman of Papeete roads. He kept himself reasonably well in hand till he had taken the sun and yawned and blotted through his calculations; but from the moment he rolled up the chart, his hours were passed in slavish self-indulgence or in hoggish slumber. Every other branch of his duty was neglected, except maintaining a stern discipline about the dinner table. Again and again Herrick would hear the cook called aft, and see him running with fresh tins, or carrying away

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

awful; Hill was unrecognisable afterward, but the wreck yielded up the great surgeon in a nearly decapitated but otherwise intact condition. West had greedily seized the lifeless thing which had once been his friend and fellow-scholar; and I shuddered when he finished severing the head, placed it in his hellish vat of pulpy reptile-tissue to preserve it for future experiments, and proceeded to treat the decapitated body on the operating table. He injected new blood, joined certain veins, arteries, and nerves at the headless neck, and closed the ghastly aperture with engrafted skin from an unidentified specimen which had borne an officer’s uniform. I knew what he wanted -- to see if this highly organised


Herbert West: Reanimator