| The first excerpt represents the past or something you must release, and is drawn from The Turn of the Screw by Henry James: on a child. The case, I may mention, was that of an apparition
in just such an old house as had gathered us for the occasion--
an appearance, of a dreadful kind, to a little boy sleeping
in the room with his mother and waking her up in the terror of it;
waking her not to dissipate his dread and soothe him to sleep again,
but to encounter also, herself, before she had succeeded in doing so,
the same sight that had shaken him. It was this observation
that drew from Douglas--not immediately, but later in the evening--
a reply that had the interesting consequence to which I call attention.
Someone else told a story not particularly effective, which I saw
he was not following. This I took for a sign that he had himself
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from King James Bible: honour, and they that despise me shall be lightly esteemed.
SA1 2:31 Behold, the days come, that I will cut off thine arm, and the
arm of thy father's house, that there shall not be an old man in thine
house.
SA1 2:32 And thou shalt see an enemy in my habitation, in all the
wealth which God shall give Israel: and there shall not be an old man in
thine house for ever.
SA1 2:33 And the man of thine, whom I shall not cut off from mine
altar, shall be to consume thine eyes, and to grieve thine heart: and
all the increase of thine house shall die in the flower of their age.
SA1 2:34 And this shall be a sign unto thee, that shall come upon thy
 King James Bible |
The third excerpt represents the future or something you must embrace, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: of my desire to do right through several years. Shall I tell you the
cruel saying that drove me to further follies? 'The Duchesse de
Maufrigneuse has gone back to her husband,' said the world. 'Bah! it
is always a triumph to bring the dead to life; it is all she can now
do,' replied my best friend, a relation, she, at whose house I met
you--"
"Madame d'Espard!" cried Daniel, with a gesture of horror.
"Oh! I have forgiven her. Besides, it was very witty; and I have
myself made just as cruel epigrams on other poor women as innocent as
myself."
D'Arthez again kissed the hand of that saintly woman who, having
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