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Today's Stichomancy for Angelina Jolie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

Writhing in pain; and as it tore away The knotted serpents from its limbs, I heard, Or seemed to hear, the cry of agony From its white, parted lips. And still I marvel At the three Rhodian artists, by whose hands This miracle was wrought. Yet he beholds Far nobler works who looks upon the ruins Of temples in the Forum here in Rome. If God should give me power in my old age To build for Him a temple half as grand As those were in their glory, I should count

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Westward Ho! by Charles Kingsley:

"Go on till midnight, my good fellow, if you will."

"Well, sirs, they chose me for captain, and a certain Genoese for lieutenant, and away to go. I would fain have gone ashore after all, and back to Panama to hear news of the little maid: but that would have been but a fool's errand. Some wanted to turn pirates: but I, and the Genoese too, who was a prudent man, though an evil one, persuaded them to run for England and get employment in the Netherland wars, assuring them that there would be no safety in the Spanish Main, when once our escape got wind. And the more part being of one mind, for England we sailed, watering at the Barbadoes because it was desolate; and so eastward toward the Canaries. In

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

have still to bring it to perfection. Yesterday, towards evening, I thought it was finished. Her eyes were liquid, her flesh trembled, her tresses waved--she breathed! And yet, though I have grasped the secret of rendering on a flat canvas the relief and roundness of nature, this morning at dawn I saw many errors. Ah! to attain that glorious result, I have studied to their depths the masters of color. I have analyzed and lifted, layer by layer, the colors of Titian, king of light. Like him, great sovereign of art, I have sketched my figure in light clear tones of supple yet solid color; for shadow is but an accident,-- remember that, young man. Then I worked backward, as it were; and by means of half-tints, and glazings whose transparency I kept