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Today's Stichomancy for Aretha Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Village Rector by Honore de Balzac:

tells us that her confession may serve to rehabilitate an unfortunate son of this parish, we leave her free to follow the inspirations of her repentance."

After these words, said with pastoral unction and dignity, the archbishop turned aside to give place to Veronique. The dying woman came forward, supported by her old mother and the rector,--the mother from whom she derived her body, the Church, the spiritual mother of her soul. She knelt down on a cushion, clasped her hands, and seemed to collect herself for a few moments, as if to gather from some source descending from heaven the power to speak. At this moment the silence was almost terrifying. None dared look at their neighbor. All eyes

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sons of the Soil by Honore de Balzac:

by becoming a manufacturer. In the country a poor man can always get something to do, and make at least a pretence of gaining an honest livelihood. At sixty-eight years of age the old man started his rope- walk, a manufactory which requires the very smallest capital. The workshop is, as we have seen, any convenient wall; the machinery costs about ten francs. The apprentice slept, like his master, in a hay- loft, and lived on whatever he could pick up. The rapacity of the law in the matter of doors and windows expires "sub dio." The tow to make the first rope can be borrowed. But the principal revenue of Pere Fourchon and his satellite Mouche, the natural son of one of his natural daughters, came from the otters; and then there were

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

land rose steeply, so the back yard was sunken, and enclosed by a low stone wall. She turned the corner of the house and stopped. In the little yard two paces beyond her, the man was washing himself, utterly unaware. He was naked to the hips, his velveteen breeches slipping down over his slender loins. And his white slim back was curved over a big bowl of soapy water, in which he ducked his head, shaking his head with a queer, quick little motion, lifting his slender white arms, and pressing the soapy water from his ears, quick, subtle as a weasel playing with water, and utterly alone. Connie backed away round the corner of the house, and hurried away to the wood. In spite of herself, she had had a shock. After all, merely a man washing himself,


Lady Chatterley's Lover
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lone Star Ranger by Zane Grey:

the country."

"Mother!" exclaimed Duane.

"She's away from home. You can't wait. I'll break it to her--what she always feared."

Suddenly Duane sat down and covered his face with his hands.

"My God! Uncle, what have I done?" His broad shoulders shook.

"Listen, son, an' remember what I say," replied the elder man, earnestly. "Don't ever forget. You're not to blame. I'm glad to see you take it this way, because maybe you'll never grow hard an' callous. You're not to blame. This is Texas. You're your father's son. These are wild times. The law as the rangers are


The Lone Star Ranger