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Today's Stichomancy for Aretha Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Foolish Virgin by Thomas Dixon:

He clasped her in his arms and held her with desperate tenderness.

CHAPTER IX

ELLA'S SECRET

The consummation of her life's dream was too near, too sweet and wonderful for Jane's croakings to distress Mary Adams beyond the moment. She had, of course, wished her friend to be present at the wedding--yet the curt refusal had only aroused anew her pity at stupid prejudices. It was out of the question to ask her father to leave his work in the Kentucky mountains and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Legend of Montrose by Walter Scott:

aggression. The Lowlanders, who lay more remote, and out of reach of these depredations, were influenced by the exaggerated reports circulated concerning the Highlanders, whom, as totally differing in laws, language, and dress, they were induced to regard as a nation of savages, equally void of fear and of humanity. These various prepossessions, joined to the less warlike habits of the Lowlanders, and their imperfect knowledge of the new and complicated system of discipline for which they had exchanged their natural mode of fighting, placed them at great disadvantage when opposed to the Highlander in the field of battle. The mountaineers, on the contrary, with the arms and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

flitting by, very fast; the men walked like scissors; the women trod like cats. And nobody knew--nobody cared. Even if she broke down, if at last, after all these years, she were to cry, she'd find herself in the lock-up as like as not.

But at the thought of crying it was as though little Lennie leapt in his gran's arms. Ah, that's what she wants to do, my dove. Gran wants to cry. If she could only cry now, cry for a long time, over everything, beginning with her first place and the cruel cook, going on to the doctor's, and then the seven little ones, death of her husband, the children's leaving her, and all the years of misery that led up to Lennie. But to have a proper cry over all these things would take a long time. All the same, the time

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Damien by Robert Louis Stevenson:

you would have rolled over your reluctant shoulder towards the house on Beretania Street! Had you gone on; had you found every fourth face a blot upon the landscape; had you visited the hospital and seen the butt-ends of human beings lying there almost unrecognisable, but still breathing, still thinking, still remembering; you would have understood that life in the lazaretto is an ordeal from which the nerves of a man's spirit shrink, even as his eye quails under the brightness of the sun; you would have felt it was (even today) a pitiful place to visit and a hell to dwell in. It is not the fear of possible infection. That seems a little thing when compared with the pain, the pity, and the disgust