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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: herself, and that her husband must look on in silence. The first
parallel was opened (as was made to appear) by accident. The talk
fell, as it did often, on the exiles in France; so it glided to the
matter of their songs.
"There is one," says the Master, "if you are curious in these
matters, that has always seemed to me very moving. The poetry is
harsh; and yet, perhaps because of my situation, it has always
found the way to my heart. It is supposed to be sung, I should
tell you, by an exile's sweetheart; and represents perhaps, not so
much the truth of what she is thinking, as the truth of what he
hopes of her, poor soul! in these far lands." And here the Master
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