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Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Study of a Woman by Honore de Balzac:

deserve."

"Madame," said Rastignac, hastily, "pardon is not needed where there was no offence. The letter," he added, in a low voice, "which you received, and which you must have thought extremely unbecoming, was not intended for you."

The marquise could not help smiling, though she wished to seem offended.

"Why deceive?" she said, with a disdainful air, although the tones of her voice were gentle. "Now that I have duly scolded you, I am willing to laugh at a subterfuge which is not without cleverness. I know many women who would be taken in by it: 'Heavens! how he loves me!' they

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

Romagna thine is not and never has been Without war in the bosom of its tyrants; But open war I none have left there now.

Ravenna stands as it long years has stood; The Eagle of Polenta there is brooding, So that she covers Cervia with her vans.

The city which once made the long resistance, And of the French a sanguinary heap, Beneath the Green Paws finds itself again;

Verrucchio's ancient Mastiff and the new, Who made such bad disposal of Montagna,


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Domestic Peace by Honore de Balzac:

masses of gold and shining hair, of which the lustre almost outshone the blaze of waxlights, the cutglass of the chandeliers, and the gilding. His rival's stolid indifference put the lawyer out of countenance. Quite incapable of controlling his secret transports of impatience, Martial went towards Madame de Vaudremont with a bow. On seeing the Provencal, Soulanges gave him a covert glance, and impertinently turned away his head. Solemn silence now reigned in the room, where curiosity was at the highest pitch. All these eager faces wore the strangest mixed expressions; every one apprehended one of those outbreaks which men of breeding carefully avoid. Suddenly the Count's pale face turned as red as the scarlet facings of his coat,