| The first excerpt represents the past or something you must release, and is drawn from Flower Fables by Louisa May Alcott: to keep you, it were wrong to bring such sorrow to your loving earthly
friends; therefore we will guide you to the brook-side, and there say
farewell till you come again to visit us. Nay, do not weep, dear
Rose-Leaf; you shall watch over little Eva's flowers, and when she
looks at them she will think of you. Come now and lead her to the
Fairy garden, and show her what we think our fairest sight. Weep
no more, but strive to make her last hours with us happy as you can."
With gentle caresses and most tender words the loving Elves gathered
about the child, and, with Rose-Leaf by her side, they led her through
the palace, and along green, winding paths, till Eva saw what seemed
a wall of flowers rising before her, while the air was filled with the
 Flower Fables |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: laughed aloud.
"Why do you laugh?" asked Tarzan.
"Because," replied Mugambi, "I filled the Belgian's
pouch with river gravel before I escaped the camp of
the Abyssinians whose prisoners we were. I left the
Belgian only worthless stones, while I brought away
with me the jewels he had stolen from you. That they
were afterward stolen from me while I slept in the
jungle is my shame and my disgrace; but at least the
Belgian lost them--open his pouch and you will see."
Tarzan untied the thong which held the mouth of the
 Tarzan and the Jewels of Opar |
The third excerpt represents the future or something you must embrace, and is drawn from The Soul of Man by Oscar Wilde: fine, a healthy work of art is one that has both perfection and
personality. Of course, form and substance cannot be separated in
a work of art; they are always one. But for purposes of analysis,
and setting the wholeness of aesthetic impression aside for a
moment, we can intellectually so separate them. An unhealthy work
of art, on the other hand, is a work whose style is obvious, old-
fashioned, and common, and whose subject is deliberately chosen,
not because the artist has any pleasure in it, but because he
thinks that the public will pay him for it. In fact, the popular
novel that the public calls healthy is always a thoroughly
unhealthy production; and what the public call an unhealthy novel
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