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Today's Stichomancy for Ashlee Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Betty Zane by Zane Grey:

caught sight of Wetzel's familiar figure. She ran to him and the hunter put one of his long arms around her.

"I reckon I kin take care of you, Betty," he said, a smile playing over his usually stern face. "See here, you young bucks. Betty don't want to be kissed, and if you keep on pesterin' her I'll have to scalp a few of you."

The merriment grew as the day progressed. During the wedding feast great hilarity prevailed. It culminated in the dance which followed the dinner. The long room of the block-house had been decorated with evergreens, autumn leaves and goldenrod, which were scattered profusely about, hiding the blackened walls and bare rafters. Numerous blazing pine knots, fastened on sticks which were stuck into the walls, lighted up a scene, which for color and animation


Betty Zane
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:

both of which he had donned on account, he said, of their dark colour. In his hand was the Winchester repeating rifle we had lent him; and stuck in an elastic cricketing belt, like those worn by English boys, were, first, a huge buckhorn-handled carving knife with a guard to it, and next a long-barrelled Colt's revolver.

'Ah, my friend,' he said, seeing me staring at his belt, 'you are looking at my "carver". I thought it might come in handy if we came to close quarters; it is excellent steel, and many is the pig I have killed with it.'

By this time everybody was up and dressing. I put on a light Norfolk jacket over my mail shirt in order to have a pocket handy


Allan Quatermain
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Bondage and My Freedom by Frederick Douglass:

fatting for the destined vortex. The graceful swan, the mongrels, the black-necked wild goose; partridges, quails, pheasants and pigeons; choice water fowl, with all their strange varieties, are caught in this huge family net. Beef, veal, mutton and venison, of the most select kinds and quality, roll bounteously to this grand consumer. The teeming riches of the Chesapeake bay, its rock, perch, drums, crocus, trout, oysters, crabs, and terrapin, are drawn hither to adorn the glittering table of the great house. The dairy, too, probably the finest on the Eastern Shore of Maryland--supplied by cattle of the best English stock, imported for the purpose, pours its rich donations


My Bondage and My Freedom
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Village Rector by Honore de Balzac:

guilty one. I alone knew that there was neither premeditation nor any of the aggravating circumstances on which he was sentenced to death. A hundred times I thought of betraying myself to save him; a hundred times a horrible and necessary restraint stopped the words upon my lips. Undoubtedly, my presence near the scene had contributed to give him the odious, infamous, ignoble courage of a murderer. Were it not for me, he would have fled. I had formed that soul, trained that mind, enlarged that heart; I knew it; he was incapable of cowardice or meanness. Do justice to that involuntarily guilty arm, do justice to him, whom God, in his mercy, has allowed to sleep in his quiet grave, where you have wept for him, suspecting, it may be, the extenuating