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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Devil's Dictionary by Ambrose Bierce:

It means egg.

Dudley Spink

OVEREAT, v. To dine.

Hail, Gastronome, Apostle of Excess, Well skilled to overeat without distress! Thy great invention, the unfatal feast, Shows Man's superiority to Beast.

John Boop

OVERWORK, n. A dangerous disorder affecting high public functionaries who want to go fishing.

OWE, v. To have (and to hold) a debt. The word formerly signified


The Devil's Dictionary
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

II

I have a secret in my heart No ears have ever heard, And still it sings there day by day Most like a caged bird.

And when it beats against the bars, I do not set it free, For I am happier to know It only sings for me.

III

I wrote his name along the beach,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle:

thou one also, for ne'er should a man be merry alone, or sing and list not."

"Then I will sing thee a song of a right good knight of Arthur's court, and how he cured his heart's wound without running upon the dart again, as did thy Phillis; for I wot she did but cure one smart by giving herself another. So, list thou while I sing:

THE GOOD KNIGHT AND HIS LOVE

"_When Arthur, King, did rule this land, A goodly king was he, And had he of stout knights a band Of merry company.


The Merry Adventures of Robin Hood
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber:

work, her success, her clean reputation, her life of self-denial for her son Jock. When Ethel Morrissey was planned by her Maker, she had not been meant to be wasted on the skirt-and-suit department of a small-town store. That broad, gracious breast had been planned as a resting-place for heads in need of comfort. Those plump, firm arms were meant to enfold the weak and distressed. Those capable hands should have smoothed troubled heads and patted plump cheeks, instead of wasting their gifts in folding piles of petticoats and deftly twitching a plait or a tuck into place. She was playing Rosalind in buskins when she should have been cast for the Nurse.


Emma McChesney & Co.