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Today's Stichomancy for Audrey Hepburn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

she could see the swollen circle round the eyes, and hear her breath like that of a child which has sobbed itself tired. Then, one night, when she had gone into her mother's room, after she was in bed, the blue eyes were set in a wild, hopeless way, as if staring down into years of starvation and misery. The fire on the hearth burned low and clear; the old worn furniture stood out cheerfully in the red glow, and threw a maze of twisted shadow on the floor. But the glow was all that was cheerful. To-morrow, when the hard daylight should jeer away the screening shadows, it would unbare a desolate, shabby home. She knew; struck with the white leprosy of poverty; the blank walls, the faded hangings,


Margret Howth: A Story of To-day
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

Calling the piglets to him he picked them all up, one by one, and put them away in his pocket; for although he could not see them he could feel them, and when he had buttoned his coat he knew they were safe for the present.

The travellers now resumed their walk toward the cottage, which they presently reached. It was a pretty place, with vines growing thickly over the broad front porch. The door stood open and a table was set in the front room, with four chairs drawn up to it. On the table were plates, knives and forks, and dishes of bread, meat and fruits. The meat was smoking hot and the knives and forks were performing strange antics and jumping here and there in quite a puzzling way.


Dorothy and the Wizard in Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

idiot, but a sane, reasoning man with the means of escape within my very hands.

As I was groping to remove the chain from about my victim's neck I glanced up into the darkness to see six pairs of gleaming eyes fixed, unwinking, upon me. Slowly they approached and slowly I shrank back from the awful horror of them. Back into my corner I crouched holding my hands palms out, before me, and stealthily on came the awful eyes until they reached the dead body at my feet. Then slowly they retreated but this time with a strange grating sound and finally they disappeared in some black and distant recess of my dungeon.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

which the keepers held in readiness to attend their pastime. As General Browne alighted, the young lord came to the gate of the hall, and for an instant gazed, as at a stranger, upon the countenance of his friend, on which war, with its fatigues and its wounds, had made a great alteration. But the uncertainty lasted no longer than till the visitor had spoken, and the hearty greeting which followed was such as can only be exchanged betwixt those who have passed together the merry days of careless boyhood or early youth.

"If I could have formed a wish, my dear Browne," said Lord Woodville, "it would have been to have you here, of all men, upon