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Today's Stichomancy for Barack Obama

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mansfield Park by Jane Austen:

had been useful to more than his first plan had comprehended, and was now able to congratulate himself upon it, and to feel that in performing a duty, he had secured agreeable recollections for his own mind. He had introduced himself to some tenants whom he had never seen before; he had begun making acquaintance with cottages whose very existence, though on his own estate, had been hitherto unknown to him. This was aimed, and well aimed, at Fanny. It was pleasing to hear him speak so properly; here he had been acting as he ought to do. To be the friend of the poor and the oppressed! Nothing could be more grateful to her;


Mansfield Park
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Human Drift by Jack London:

Yes. Once.

MAUD. [Shocked, speaking sadly.] And I always heard of you and thought of you as the one clean champion who never faked.

FITZSIMMONS. [Gently and seriously.] Let me tell you about it. It was down in Australia. I had just begun to fight my way up. It was with old Bill Hobart out at Rushcutters Bay. I threw the fight to him.

MAUD. [Repelled, disgusted.] Oh! I could not have believed it of you.

FITZSIMMONS. Let me tell you about it. Bill was an old fighter. Not an old man, you know, but he'd been in the fighting game a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

distinctly. They had reached the end of the passage and before them was another huge door. This noiselessly swung open before them, without the help of anyone, and through the doorway they observed a big chamber, the walls of which were lined with plates of pure gold, highly polished.

This room was also lighted, although they could discover no lamps, and in the center of it was a great table at which sat an immense woman. She was clad in silver robes embroidered with gay floral designs, and wore over this splendid raiment a short apron of


The Tin Woodman of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

went for a ramble beyond the walls, leaving Aunt Anna and Mrs. Jenkin to walk on the bastions with some friends. On the way back, this party turned aside to rest in the Church of the Madonna delle Grazie. 'We had remarked,' writes Mrs. Jenkin, 'the entire absence of sentinels on the ramparts, and how the cannons were left in solitary state; and I had just remarked "How quiet everything is!" when suddenly we heard the drums begin to beat and distant shouts. ACCUSTOMED AS WE ARE to revolutions, we never thought of being frightened.' For all that, they resumed their return home. On the way they saw men running and vociferating, but nothing to indicate a general disturbance, until, near the Duke's palace, they came