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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

sent down over horse-tail himself. This innocent vast lubber did not see any particular difference between the two facts. I liked him, for he was earnest in his work, and very valuable. And he was so fine to look at, with his broad mailed shoulders, and the grand leonine set of his plumed head, and his big shield with its quaint device of a gauntleted hand clutch- ing a prophylactic tooth-brush, with motto: "Try Noyoudont." This was a tooth-wash that I was introducing.

He was aweary, he said, and indeed he looked it;


A Connecticut Yankee in King Arthur's Court
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

"It's a bad time to admit itpeople are beginning to think he's odd." "He's way over their headsyou know you think so yourself when you talk to himGood Lord, Tom, you used to stand out against 'people.' Success has completely conventionalized you." Tom grew rather annoyed. "What's he trying to dobe excessively holy?" "No! not like anybody you've ever seen. Never enters the Philadelphian Society. He has no faith in that rot. He doesn't believe that public swimming-pools and a kind word in time will


This Side of Paradise
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of Writing by Robert Louis Stevenson:

is conceived with honesty and executed with communicative ardour. But though on neither side is dogmatism fitting, and though in every case the artist must decide for himself, and decide afresh and yet afresh for each succeeding work and new creation; yet one thing may be generally said, that we of the last quarter of the nineteenth century, breathing as we do the intellectual atmosphere of our age, are more apt to err upon the side of realism than to sin in quest of the ideal. Upon that theory it may be well to watch and correct our own decisions, always holding back the hand from the least appearance of irrelevant dexterity, and resolutely fixed to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Melmoth Reconciled by Honore de Balzac:

carriage. A cry of horror burst from him but Melmoth gave him a glance, and again the sound died in his throat.

"Keep your eyes on the stage, and be quiet!" said the Englishman.

In another moment Castanier saw himself flung into prison at the Conciergerie; and in the fifth act of the drama, entitled The Cashier, he saw himself, in three months' time, condemned to twenty years of penal servitude. Again a cry broke from him. He was exposed upon the Place du Palais-de-Justice, and the executioner branded him with a red-hot iron. Then came the last scene of all; among some sixty convicts in the prison yard of the Bicetre, he was awaiting his turn to have the irons riveted on his limbs.