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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Desert Gold by Zane Grey:

was the one relating to what he had missed--the sight of Rojas pursued and plunged to his doom. The thing had a morbid fascination for the sick ranger. He reveled in it. He tortured Mercedes. His gentleness and consideration, heretofore so marked, were in abeyance to some sinister, ghastly joy. But to humor him Mercedes racked her soul with the sensations she had sufferd when Rojas hounded her out on the ledge; when she shot him; when she sprang to throw herself over the precipice; when she fought him; when with half-blinded eyes she looked up to see the merciless Yaqui reaching for the bandit. Ladd fed his cruel longing with Thorne's poignant recollections, with the keen, clear, never-to-be-forgotten


Desert Gold
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Barnaby Rudge by Charles Dickens:

'At least you are not penniless. You have some money. You were making purchases to-night.'

'I have a little left. It is but a few shillings.'

'Give me your purse. You had it in your hand at the door. Give it to me.'

She stepped to the table and laid it down. He reached across, took it up, and told the contents into his hand. As he was counting them, she listened for a moment, and sprung towards him.

'Take what there is, take all, take more if more were there, but go before it is too late. I have heard a wayward step without, I know full well. It will return directly. Begone.'


Barnaby Rudge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

the agony of the damned, for in one inconceivable cacophony was centered all the supernal terror and unnatural despair of animate nature. Human it could not have been -- it is not in man to make such sounds -- and without a thought of our late employment or its possible discovery, both West and I leaped to the nearest window like stricken animals; overturning tubes, lamp, and retorts, and vaulting madly into the starred abyss of the rural night. I think we screamed ourselves as we stumbled frantically toward the town, though as we reached the outskirts we put on a semblance of restraint -- just enough to seem like belated revellers staggering home from a debauch.


Herbert West: Reanimator
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

in a scarlet tunic, upon the front and back of which was embroidered an enormous parrot and upon whose head was a barbaric headdress surmounted by a stuffed parrot.

The walls of this room were entirely hidden by hangings upon which hundreds, even thousands, of parrots were em- broidered. Inlaid in the floor were golden parrots, while, as thickly as they could be painted, upon the ceiling were bril- liant-hued parrots with wings outspread as though in the act of flying.

The man himself was larger of stature than any she had yet seen within the city. His parchment-like skin was wrinkled


Tarzan the Untamed