| The first excerpt represents the past or something you must release, and is drawn from Verses 1889-1896 by Rudyard Kipling: If blood be the price of admiralty,
If blood be the price of admiralty,
Lord God, we ha' bought it fair!
The Deep-Sea Cables
The wrecks dissolve above us; their dust drops down from afar --
Down to the dark, to the utter dark, where the blind white sea-snakes are.
 Verses 1889-1896 |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Little Women by Louisa May Alcott: pleasures was to make little things for the school children
daily passing to and fro, to drop a pair of mittens from her
window for a pair of purple hands, a needlebook for some small
mother of many dolls, penwipers for young penmen toiling through
forests of pothooks, scrapbooks for picture-loving eyes, and
all manner of pleasant devices, till the reluctant climbers of
the ladder of learning found their way strewn with flowers, as
it were, and came to regard the gentle giver as a sort of fairy
godmother, who sat above there, and showered down gifts miraculously
suited to their tastes and needs. If Beth had wanted any
reward, she found it in the bright little faces always turned up
 Little Women |
The third excerpt represents the future or something you must embrace, and is drawn from Several Works by Edgar Allan Poe: unsuited limbs and appointments. There were delirious fancies such
as the madman fashions. There were much of the beautiful, much of
the wanton, much of the bizarre, something of the terrible, and
not a little of that which might have excited disgust. To and fro
in the seven chambers there stalked, in fact, a multitude of
dreams. And these--the dreams--writhed in and about taking hue
from the rooms, and causing the wild music of the orchestra to seem
as the echo of their steps. And, anon, there strikes the ebony
clock which stands in the hall of the velvet. And then, for a
moment, all is still, and all is silent save the voice of the
clock. The dreams are stiff-frozen as they stand. But the echoes
|