| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber: buried, red-cheeked and eager, in their books.
"Fanny! Theodore! Come now! Not another minute!"
Fanny, shameless little glutton, would try it again. "Just
to the end of this chapter! Just this weenty bit!"
"Fiddlesticks! You've read four chapters since I spoke to
you the last time. Come now!"
Molly Brandeis would see to the doors, and the windows, and
the clock, and then, waiting for the weary little figures to
climb the stairs, would turn out the light, and, hairpins in
one hand, corset in the other, perhaps, mount to bed.
By nine o'clock the little household would be sleeping, the
 Fanny Herself |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Another Study of Woman by Honore de Balzac: The whole aristocracy no longer advances in a body to screen the lady.
She has not, like the great lady of the past, the demeanor of lofty
antagonism; she can crush nothing under foot, it is she who would be
crushed. Thus she is apt at Jesuitical /mezzo termine/, she is a
creature of equivocal compromises, of guarded proprieties, of
anonymous passions steered between two reef-bound shores. She is as
much afraid of her servants as an Englishwoman who lives in dread of a
trial in the divorce-court. This woman--so free at a ball, so
attractive out walking--is a slave at home; she is never independent
but in perfect privacy, or theoretically. She must preserve herself in
her position as a lady. This is her task.
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Madame Firmiani by Honore de Balzac: were all things; poets could have found an Agnes Sorel and a Joan of
Arc, also the woman unknown, the Soul within that form, the soul of
Eve, the knowledge of the treasures of good and the riches of evil,
error and resignation, crime and devotion, the Donna Julia and the
Haidee of Lord Byron.
The former guardsman stayed, with apparent impertinence, after the
other guests had left the salons; and Madame Firmiani found him
sitting quietly before her in an armchair, evidently determined to
remain, with the pertinacity of a fly which we are forced to kill to
get rid of it. The hands of the clock marked two in the morning.
"Madame," said the old gentlemen, as Madame Firmiani rose, hoping to
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucky O'Connor by William MacLeod Raine: for it.' "
"We play with stacked cards, excellency. Who can forestall the
treachery of trusted associates?"
"Sir, your apology for me is very generous, no less so than the
terms you offer," returned Megales sardonically.
O'Halloran laughed. "Well, if you don't like my explanations I
shall have to let you make your own. And, by the way, may I
venture on a delicate personal matter, your excellency?"
"I can deny you nothing to-night, senor," answered Megales,
mocking at himself.
"Young Valdez is in love with your daughter. I am sure that she
|