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Today's Stichomancy for Bob Fosse

The first excerpt represents the past or something you must release, and is drawn from Father Damien by Robert Louis Stevenson:

of ours; his imperfections are the traits of his face, by which we know him for our fellow; his martyrdom and his example nothing can lessen or annul; and only a person here on the spot can properly appreciate their greatness."

I have set down these private passages, as you perceive, without correction; thanks to you, the public has them in their bluntness. They are almost a list of the man's faults, for it is rather these that I was seeking: with his virtues, with the heroic profile of his life, I and the world were already sufficiently acquainted. I was besides a little suspicious of Catholic testimony; in no ill sense, but merely because Damien's admirers and disciples were the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Where There's A Will by Mary Roberts Rinehart:

looked, and although I couldn't speak yet, I reached up and felt for my hairpins.

"That's better," he said, putting down the glass. "Another ten minutes of that and you'd have burst a blood vessel. Don't worry. I know I have no business here, but I anticipated something of this kind, and it may interest you to know that I've been outside in the hall since the first whoop. It's been a good safety-valve."

I sat up and stared at him. I could hardly see out of my eyes. He had his back to the light, but I could tell that he had a cross of adhesive plaster on his cheek and that one eye was

The third excerpt represents the future or something you must embrace, and is drawn from Tales of Unrest by Joseph Conrad:

gleam of scabbards, gold rings, charms, armlets, lance blades, and jewelled handles of their weapons. They had an independent bearing, resolute eyes, a restrained manner; and we seem yet to hear their soft voices speaking of battles, travels, and escapes; boasting with composure, joking quietly; sometimes in well-bred murmurs extolling their own valour, our generosity; or celebrating with loyal enthusiasm the virtues of their ruler. We remember the faces, the eyes, the voices, we see again the gleam of silk and metal; the murmuring stir of that crowd, brilliant, festive, and martial; and we seem to feel the touch of friendly brown hands that, after one short grasp, return to rest on a chased hilt. They were Karain's people--a


Tales of Unrest