| The first excerpt represents the past or something you must release, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: never could abide the sight o' him; onyway he was a great hand by
his way of it, and he up and rebukit the Master for some of his on-
goings. It was a grand thing for the Master o' Ball'ntrae to tak
up a feud wi' a' wabster, wasnae't?" Macconochie would sneer;
indeed, he never took the full name upon his lips but with a sort
of a whine of hatred. "But he did! A fine employ it was:
chapping at the man's door, and crying 'boo' in his lum, and
puttin' poother in his fire, and pee-oys (1) in his window; till
the man thocht it was auld Hornie was come seekin' him. Weel, to
mak a lang story short, Wully gaed gyte. At the hinder end, they
couldnae get him frae his knees, but he just roared and prayed and
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Simple Soul by Gustave Flaubert: --she who had never done anything wrong, and whose conscience was so
pure! But no! she ought to have taken her South. Other doctors would
have saved her. She accused herself, prayed to be able to join her
child, and cried in the midst of her dreams. Of the latter, one more
especially haunted her. Her husband, dressed like a sailor, had come
back from a long voyage, and with tears in his eyes told her that he
had received the order to take Virginia away. Then they both consulted
about a hiding-place.
Once she came in from the garden, all upset. A moment before (and she
showed the place), the father and daughter had appeared to her, one
after the other; they did nothing but look at her.
 A Simple Soul |
The third excerpt represents the future or something you must embrace, and is drawn from Protagoras by Plato: exchange of a greater pleasure for a less--the unity of virtue and the
identity of virtue and knowledge would have required to be proved by other
arguments.
The victory of Socrates over Protagoras is in every way complete when their
minds are fairly brought together. Protagoras falls before him after two
or three blows. Socrates partially gains his object in the first part of
the Dialogue, and completely in the second. Nor does he appear at any
disadvantage when subjected to 'the question' by Protagoras. He succeeds
in making his two 'friends,' Prodicus and Hippias, ludicrous by the way; he
also makes a long speech in defence of the poem of Simonides, after the
manner of the Sophists, showing, as Alcibiades says, that he is only
|