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Today's Stichomancy for Brad Pitt

The first excerpt represents the past or something you must release, and is drawn from Confessio Amantis by John Gower:

And halt it evere fro the londe, Wher Falssemblant with Ore on honde It roweth, and wol noght arive, Bot let it on the wawes dryve In gret tempeste and gret debat, Wherof that love and his astat Empeireth. And therfore I rede, Mi Sone, that thou fle and drede 1910 This vice, and what that othre sein, Let thi Semblant be trewe and plein. For Falssemblant is thilke vice,


Confessio Amantis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Little Britain by Washington Irving:

best mode of being buried, the comparative merits of churchyards, together with divers hints on the subject of patent-iron coffins. I have heard the question discussed in all its bearings as to the legality of prohibiting the latter on account of their durability. The feuds occasioned by these societies have happily died of late; but they were for a long time prevailing themes of controversy, the people of Little Britain being extremely solicitous of funereal honors and of lying comfortably in their graves.

Besides these two funeral societies there is a third of quite a different cast, which tends to throw the sunshine of good-

The third excerpt represents the future or something you must embrace, and is drawn from The Mayflower Compact:

1970's were produced in ALL CAPS, no lower case. The computers we used then didn't have lower case at all.

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These original Project Gutenberg Etexts will be compiled into a file containing them all, in order to improve the content ratios of Etext to header material.

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The Mayflower Compact