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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Journey to the Center of the Earth by Jules Verne:

mineralogical curiosities which lay about me as in a vast museum, and I constructed for myself a complete geological account of Iceland.

This most curious island has evidently been projected from the bottom of the sea at a comparatively recent date. Possibly, it may still be subject to gradual elevation. If this is the case, its origin may well be attributed to subterranean fires. Therefore, in this case, the theory of Sir Humphry Davy, Saknussemm's document, and my uncle's theories would all go off in smoke. This hypothesis led me to examine with more attention the appearance of the surface, and I soon arrived at a conclusion as to the nature of the forces which presided at its birth.


Journey to the Center of the Earth
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In Darkest England and The Way Out by General William Booth:

in knowing who wants employment. But in the cities this knowledge is not available; hence we constantly hear of persons who would be very glad to employ labour for odd jobs in an occasional stress of work while at the same time hundreds of persons are starving for want of work at another end of the town. To meet this evil the laws of Supply and Demand have created the Sweating Middlemen, who farm out the unfortunates and charge so heavy a commission for their share that the poor wretches who do the work receive hardly enough to keep body and soul together. I propose to change all this by establishing Registers which will enable us to lay our hands at a moment's notice upon all the unemployed men in a district in any particular trade. In this way we


In Darkest England and The Way Out
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

are very fishy.

'We are silent and shy of one another, and soon go out to watch while turbaned, blue-breeched, barelegged Arabs dig holes for the land telegraph posts on the following principle: one man takes a pick and bangs lazily at the hard earth; when a little is loosened, his mate with a small spade lifts it on one side; and DA CAPO. They have regular features and look quite in place among the palms. Our English workmen screw the earthenware insulators on the posts, strain the wire, and order Arabs about by the generic term of Johnny. I find W- has nothing for me to do; and that in fact no one has anything to do. Some instruments for testing have stuck at

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deserted Woman by Honore de Balzac:

whose sophistical reasoning and experience destroys the fair qualities of youth. Here was the ideal of a woman's dreams, a man unspoiled as yet by the egoism of family or success, or by that narrow selfishness which blights the first impulses of honor, devotion, self-sacrifice, and high demands of self; all the flowers so soon wither that enrich at first the life of delicate but strong emotions, and keep alive the loyalty of the heart.

But these two, once launched forth into the vast of sentiment, went far indeed in theory, sounding the depths in either soul, testing the sincerity of their expressions; only, whereas Gaston's experiments were made unconsciously, Mme. de Beauseant had a purpose in all that