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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Sportsman by Xenophon:

and fro or sitting up, the creature comes in contact with a variety of objects. Everything that earth produces or bears upon her bosom will serve as puss's resting-place. These are her screen, her couch, her canopy;[16] apart, it may be, or close at hand, or at some middle point, among them she lies ensconced. At times, with an effort taxing all her strength, she will spring across to where some jutting point or clinging undergrowth on sea or freshet may attract her.

[15] "The form tracks are made by the hare leisurely proceeding and stopping at times; those on the run quickly."

[16] Lit. "Anything and everything will serve to couch under, or above, within, beside, now at some distance off, and now hard by,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

to see, the kind of pneumatic pump that was used for the compressed air affair, and then a lot of chaps and girls came in and danced about me something disgraceful. It's extraordinary the different ways different people have of showing respect. If I'd had a hatchet handy I'd have gone for the lot of them--they made me feel that wild. All this time I sat as stiff as company, not knowing anything better to do. And at last, when nightfall came, and the wattle joss-house place got a bit too shadowy for their taste--all these here savages are afraid of the dark, you know--and I started a sort of 'Moo' noise, they built big bonfires outside and left me alone in peace in the darkness of my hut, free to unscrew my windows a bit and think

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Master and Man by Leo Tolstoy:

and there by fresh manure, past the yard where the clothes hung out and where the white shirt had broken loose and was now attached only by one frozen sleeve, they again came within sound of the weird moan of the willows, and again emerged on the open fields. The storm, far from ceasing, seemed to have grown yet stronger. The road was completely covered with drifting snow, and only the stakes showed that they had not lost their way. But even the stakes ahead of them were not easy to see, since the wind blew in their faces.

Vasili Andreevich screwed up his eyes, bent down his head, and looked out for the way-marks, but trusted mainly to the horse's


Master and Man
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

we set foot on the bottom of the Atlantic at a depth of 150 fathoms. Midnight was near. The waters were profoundly dark, but Captain Nemo pointed out in the distance a reddish spot, a sort of large light shining brilliantly about two miles from the Nautilus. What this fire might be, what could feed it, why and how it lit up the liquid mass, I could not say. In any case, it did light our way, vaguely, it is true, but I soon accustomed myself to the peculiar darkness, and I understood, under such circumstances, the uselessness of the Ruhmkorff apparatus.

As we advanced, I heard a kind of pattering above my head. The noise redoubling, sometimes producing a continual shower, I soon understood the cause. It was rain falling violently,


20,000 Leagues Under the Sea