| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James: supreme literary portrait, a kind of critical Vandyke or Velasquez.
She had conveyed to me in abundance that she was tongue-tied by her
perversity, by her piety, that she would never break the silence it
had not been given to the "right person," as she said, to break.
The hour however finally arrived. One evening when I had been
sitting with her longer than usual I laid my hand firmly on her
arm. "Now at last what IS it?"
She had been expecting me and was ready. She gave a long slow
soundless headshake, merciful only in being inarticulate. This
mercy didn't prevent its hurling at me the largest finest coldest
"Never!" I had yet, in the course of a life that had known denials,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Brother of Daphne by Dornford Yates: diversion.
"So perish all our enemies!" she said with a sigh of relief.
"Stage-fright, Judy, dear. You'll be all right in a minute.
We're bound to excite interest. It's what we're for and what
we want. I'll keep it going. Give me your wootler."
She handed me the reed, and I held it ready between my lips.
"Buck up, lass!"
Ten minutes more and we entered the village. The grounds where
the fete was to be holden lay three-quarters of a mile further
on. The ball was opened by two small errand boys, on whose
hands, as is usual with the breed, time was lying heavily.
 The Brother of Daphne |