Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Calvin Klein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Drama on the Seashore by Honore de Balzac:

fisherman and his quiet ways. The man had a voice without harshness, kind lips, evidently no ambition, and something frail and puny about him. Any other sort of countenance would, at that moment, have jarred upon us.

"Where shall you sell your fish?"

"In the town."

"How much will they pay you for that lobster?"

"Fifteen sous."

"And the crab?"

"Twenty sous."

"Why so much difference between a lobster and a crab?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rivers to the Sea by Sara Teasdale:

Florence

The bells ring over the Anno, Midnight, the long, long chime; Here in the quivering darkness I am afraid of time.

Oh, gray bells cease your tolling, Time takes too much from me, And yet to rock and river He gives eternity.

IX

Villa Serbelloni, Bellaggio

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

"You say this, my dear boy; but do you think we ought to accept these 3,000 francs?" said Mercedes, coloring.

"I think so," answered Albert in a firm tone. "We will accept them the more readily, since we have them not here; you know they are buried in the garden of the little house in the Allees de Meillan, at Marseilles. With 200 francs we can reach Marseilles."

"With 200 francs? -- are you sure, Albert?"

"Oh, as for that, I have made inquiries respecting the diligences and steamboats, and my calculations are made. You will take your place in the coupe to Chalons. You see,


The Count of Monte Cristo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierre Grassou by Honore de Balzac:

"Brings in, hey?" continued Joseph. "Any shot in your locker?"

"How much do you want?"

"Five hundred. I've got one of those bull-dog dealers after me, and if the fellow once gets his teeth in he won't let go while there's a bit of me left. What a crew!"

"I'll write you a line for my notary."

"Have you got a notary?"

"Yes."

"That explains to me why you still make cheeks with pink tones like a perfumer's sign."

Grassou could not help coloring, for Virginie was sitting.