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Today's Stichomancy for Calvin Klein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Theaetetus by Plato:

TERPSION: The dysentery, you mean?

EUCLID: Yes.

TERPSION: Alas! what a loss he will be!

EUCLID: Yes, Terpsion, he is a noble fellow; only to-day I heard some people highly praising his behaviour in this very battle.

TERPSION: No wonder; I should rather be surprised at hearing anything else of him. But why did he go on, instead of stopping at Megara?

EUCLID: He wanted to get home: although I entreated and advised him to remain, he would not listen to me; so I set him on his way, and turned back, and then I remembered what Socrates had said of him, and thought how remarkably this, like all his predictions, had been fulfilled. I believe

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To-morrow by Joseph Conrad:

interest in them. The overgrown yard of his cot- tage could be laid over with concrete . . . after to-morrow.

"We may just as well do away with the fence. You could have your drying-line out, quite clear of your flowers." He winked, and she would blush faintly.

This madness that had entered her life through the kind impulses of her heart had reasonable de- tails. What if some day his son returned? But she could not even be quite sure that he ever had a


To-morrow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Noble Kinsmen by William Shakespeare:

IAILOR.

Yes.

DAUGHTER.

How doe you like him?

IAILOR.

He's a very faire one.

DAUGHTER.

You never saw him dance?

IAILOR.

No.

DAUGHTER.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

But at least I can discern, by sight, a Line from a Point. And let me prove it. Just before I came into your kingdom, I saw you dancing from left to right, and then from right to left, with Seven Men and a Woman in your immediate proximity on the left, and eight Men and two Women on your right. Is not this correct?"

"It is correct," said the King, "so far as the numbers and sexes are concerned, though I know not what you mean by 'right' and 'left'. But I deny that you saw these things. For how could you see the Line, that is to say the inside, of any Man? But you must have heard these things, and then dreamed that you saw them. And let me ask what you mean by those words 'left' and 'right'.


Flatland: A Romance of Many Dimensions