| The first excerpt represents the past or something you must release, and is drawn from The Sportsman by Xenophon: [19] See Hom. "Il." v. 640; Strab. xiii. 595.
[20] See Diod. iv. 32; i. 42.
Of Meleager[21] be it said, whereas the honours which he won are
manifest, the misfortunes on which he fell, when his father[22] in old
age forgot the goddess, were not of his own causing.[23]
[21] For the legend of Meleager see "Il." ix. 524-599, dramatised by
both Sophocles and Euripides, and in our day by Swinburne,
"Atalanta in Calydon." Cf. Paus. iii. 8. 9; viii. 54. 4; Ov.
"Met." viii. 300; Grote, "H. G." i. 195.
[22] i.e. Oeneus. "Il." ix. 535.
[23] Or, "may not be laid to his charge."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: of its peaceable surface, which knew neither ripple nor wave.
The Nautilus remained perfectly immovable. On the platform,
and on the mountain, the ship's crew were working like black
shadows clearly carved against the luminous atmosphere.
We were now going round the highest crest of the first layers of rock
which upheld the roof. I then saw that bees were not the only
representatives of the animal kingdom in the interior of this volcano.
Birds of prey hovered here and there in the shadows, or fled from
their nests on the top of the rocks. There were sparrow hawks,
with white breasts, and kestrels, and down the slopes scampered,
with their long legs, several fine fat bustards. I leave anyone
 20,000 Leagues Under the Sea |
The third excerpt represents the future or something you must embrace, and is drawn from Black Beauty by Anna Sewell: and wiped his forehead.
"You've beaten me, Sam," he said, "for it's all true,
and I won't cast it up to you any more about the police;
it was the look in that horse's eye that came over me.
It is hard lines for man and it is hard lines for beast,
and who's to mend it I don't know: but anyway you might tell the poor beast
that you were sorry to take it out of him in that way.
Sometimes a kind word is all we can give 'em, poor brutes,
and 'tis wonderful what they do understand."
A few mornings after this talk a new man came on the stand with Sam's cab.
"Halloo!" said one, "what's up with Seedy Sam?"
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