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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Coxon Fund by Henry James:

charming an instinct as that which permitted her to laugh out, as for the joy of her difficulty, into the priggish old room. This remarkable young woman could be earnest without being solemn, and at moments when I ought doubtless to have cursed her obstinacy I found myself watching the unstudied play of her eyebrows or the recurrence of a singularly intense whiteness produced by the parting of her lips. These aberrations, I hasten to add, didn't prevent my learning soon enough why she had wished to see me. Her reason for this was as distinct as her beauty: it was to make me explain what I had meant, on the occasion of our first meeting, by Mr. Saltram's want of dignity. It wasn't that she couldn't

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mysterious Island by Jules Verne:

to be anxious about their situation. They had faith in themselves, doubtless, but it must be observed that the basis of this faith was not the same with Harding as with his companions. The engineer had confidence, because he felt capable of extorting from this wild country everything necessary for the life of himself and his companions; the latter feared nothing, just because Cyrus Harding was with them. Pencroft especially, since the incident of the relighted fire, would not have despaired for an instant, even if he was on a bare rock, if the engineer was with him on the rock.

"Pshaw," said he, "we left Richmond without permission from the authorities! It will be hard if we don't manage to get away some day or


The Mysterious Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

insults or to answer further questions, defied the Commissary to do his worst, and promised him, if he did, that he should bitterly repent it. Perhaps if he had worn this proud front from the first, instead of beginning with a sense of entertainment and then going on to argue, the thing might have turned otherwise; for even at this eleventh hour the Commissary was visibly staggered. But it was too late; he had been challenged the PROCES-VERBAL was begun; and he again squared his elbows over his writing, and the Arethusa was led forth a prisoner.

A step or two down the hot road stood the gendarmerie. Thither was our unfortunate conducted, and there he was bidden to empty forth

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

which a man has learned all the moderation of which he is capable. A missionary in his youth in China, he there suffered martyrdom, was left for dead, and only succoured and brought back to life by the charity of a pariah. We must suppose the pariah devoid of second-sight, and not purposely malicious in this act. Such an experience, it might be thought, would have cured a man of the desire to persecute; but the human spirit is a thing strangely put together; and, having been a Christian martyr, Du Chayla became a Christian persecutor. The Work of the Propagation of the Faith went roundly forward in his hands. His house in Pont de Montvert served him as a prison. There he closed the hands of his prisoners