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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pericles by William Shakespeare:

Rare as you seem to be.

[She moves.]

THAISA. O dear Diana, Where am I? Where's my lord? What world is this?

SECOND GENTLEMAN. Is not this strange?

FIRST GENTLEMAN. Most rare.

CERIMON. Hush, my gentle neighbours!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mucker by Edgar Rice Burroughs:

magazines rightside up or upside down, as they chanced to have picked them up.

Simultaneously Billy Byrne and Bridge dodged through the open doorway, banged the door to behind them, and sped across the barroom toward the street.

As Flannagan shot into their midst the men at the table leaped to their feet and bolted for the doorway; but the detective was up and after them so quickly that only two succeeded in getting out of the room. One of these generously slammed the door in the faces of his fellows, and there they pulled and hauled at each other until Flannagan was among


The Mucker
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wyoming by William MacLeod Raine:

and say a word to his comrade. Bannister looked up, caught sight of her, and smiled. That smile, so pale and wan, went to her heart like a knife. But the message of her eyes was hope. They told the prisoners silently to be of good cheer, that at least they were not deserted to their fate.

"What is it about--the crowd?" Nora asked of her mistress as the latter was returning to the head of the stairs.

In as few words as she could Helen told her, repressing sharply the tears the girl began to shed. "This is not the time to weep--not yet. We must save them. You can do your part. Mr. Bannister is wounded. Get a doctor over the telephone and see

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Road to Oz by L. Frank Baum:

By-and-by this hill suddenly dropped down into a pretty valley, where the travelers saw, to their surprise, a small house standing by the road-side.

It was the first house they had seen, and they hastened into the valley to discover who lived there. No one was in sight as they approached, but when they began to get nearer the house they heard queer sounds coming from it. They could not make these out at first, but as they became louder our friends thought they heard a sort of music like that made by a wheezy hand-organ; the music fell upon their ears in this way:

Tiddle-widdle-iddle oom pom-pom!


The Road to Oz