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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Monster Men by Edgar Rice Burroughs:

the man against any such act that he might have witnesses to prove that he not only had no hand in the crime, but had exerted his authority to prevent it; but when two of the men separated themselves from the party and crept toward the bungalow no force was interposed to stop them.

The moon had risen now, so that from the dark shadows of the palisade Muda Saffir and his savages watched the party with Bududreen squatting about the heavy chest, and saw the two who crept toward the house. To Muda Saffir's evil mind there was but one explanation.


The Monster Men
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters from England by Elizabeth Davis Bancroft:

. . "But while there are no difficulties from the disorderly but what can easily be overcome, the want of republican and political experience, combined with vanity and self-reliance and idealism, may throw impediments in the way of what the wisest wish, VIZ., two elected chambers and a president."

LETTER: To W.D.B. LONDON, May 5, 1848

My dear W.: . . . Last evening, Thursday, we went to see Jenny Lind, on her first appearance this year. She was received with enthusiasm, and the Queen still more so. It was the first time the Queen had been at the opera since the birth of her child, and since

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eugenie Grandet by Honore de Balzac:

a power nor a consolation; she could not live except through love, through religion, through faith in the future. Love explained to her the mysteries of eternity. Her heart and the Gospel taught her to know two worlds; she bathed, night and day, in the depths of two infinite thoughts, which for her may have had but one meaning. She drew back within herself, loving, and believing herself beloved. For seven years her passion had invaded everything. Her treasuries were not the millions whose revenues were rolling up; they were Charles's dressing- case, the portraits hanging above her bed, the jewels recovered from her father and proudly spread upon a bed of wool in a drawer of the oaken cabinet, the thimble of her aunt, used for a while by her


Eugenie Grandet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Court Life in China by Isaac Taylor Headland:

Who knows whether the Dowager Empress will ever repose in the magnificent tomb she has built for herself at such a cost, or whether a new dynasty may not rifle its riches to embellish its own? Tze-Hsi is growing old! According to nature's immutable law her faculties must soon fail her; her iron will must bend and her far-seeing eye grow dim, and after her who will resist the tide of foreign aggression and stem the torrent of inward revolt? --Lady Susan Townley in "My Chinese Note Book."

XXI

THE DEATH OF KUANG HSU AND THE EMPRESS DOWAGER

During mid-November of 1908 the Forbidden City of Peking was a