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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac:

blaming Paul as the cause of her dishonesty, Madame Evangelista had decided to employ those shameful manoeuvres to cast on him the burden of her own unfaithful guardianship, considering him her victim. But now, in a moment, she perceived that where she thought she triumphed she was about to perish, and her victim was her own daughter. Guilty without profit, she saw herself the dupe of an honorable old man, whose respect she had doubtless lost. Her secret conduct must have inspired the stipulation of old Mathias; and Mathias must have enlightened Paul. Horrible reflection! Even if he had not yet done so, as soon as that contract was signed the old wolf would surely warn his client of the dangers he had run and had now escaped, were it only to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

important scientific truth, namely, that there are not two such qualities of the mind, but only one. For otherwise we might have supposed the fact too evident to need mention. Imagination is the single source of the new, the one mainspring of psychical advance; reason, like a balance-wheel, only keeping the action regular. For reason is but the touchstone of experience, our own, inherited, or acquired from others. It compares what we imagine with what we know, and gives us answer in terms of the here and the now, which we call the actual. But the actual is really nothing but the local. It does not mark the limits of the possible.

That imagination has been the moving spirit of the psychical world

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cavalry General by Xenophon:

officer in front and their respective squadron-leaders"; and for the Lyceum see "Hell." I. i. 33; II. iv. 27.

[12] Lit. "the apex of the confronting theatre."

[13] See "Horsemanship," viii. 6; "Anab." IV. viii. 28.

To come to the test manouvres.[14] The order in which the men will ride with showiest effect on these occasions has been already noted.[15] As far as the leader is himself concerned, and presuming he is mounted on a powerful horse, I would suggest that he should each time ride round on the outer flank; in which case he will himself be kept perpetually moving at a canter, and those with him, as they become the wheeling flank, will, by turns, fall into the same pace,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Iliad by Homer:

lamentation therein. His sons were seated round their father in the outer courtyard, and their raiment was wet with tears: the old man sat in the midst of them with his mantle wrapped close about his body, and his head and neck all covered with the filth which he had clutched as he lay grovelling in the mire. His daughters and his sons' wives went wailing about the house, as they thought of the many and brave men who lay dead, slain by the Argives. The messenger of Jove stood by Priam and spoke softly to him, but fear fell upon him as she did so. "Take heart," she said, "Priam offspring of Dardanus, take heart and fear not. I bring no evil tidings, but am minded well towards you. I come as


The Iliad