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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mansion by Henry van Dyke:

some day."

"Using you as an illustration?"

"Well, not exactly that; but I could give him some good materials from my own experience to prove the truth of Scripture. I can honestly say that there is not one of my charities that has not brought me in a good return, either in the increase of influence, the building up of credit, or the association with substantial people. Of course you have to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

Of the rushing, pouring sound of the sea That the great trees made.

One thought in my mind went over and over While the darkness shook and the leaves were thinned -- I thought it was you who had come to find me, You were the wind.

Songs For Myself XII

The Tree

Oh to be free of myself, With nothing left to remember,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When a Man Marries by Mary Roberts Rinehart:

over, and they said afterward that the way he talked was fearful. And there was a telephone in the maid's room, and he kept asking for things every five minutes.

When the doctor came he said it was too early to tell positively, and he ordered him liquid diet and said he would be back that evening.

Which--the diet--takes me back to the famine. After they had moved Jim, Mr. Harbison went back to the telephone, and found everything as it should be. So he followed the telephone wire, and the rest followed him. I did not; he had systematically ignored me all morning, after having dared to kiss me the night

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of the West by O. Henry:

purple grapes viewed at midnight. Eyes, long, dusky, and disquieting with their untroubled directness of gaze. Face, haughty and bold, touched with a pretty insolence that gave it life. To hasten conviction of her charm, but glance at the stacks of handbills in the corner, green, and yellow, and white. Upon them you see an incompetent presentment of the senorita in her professional garb and pose. Irresistible, in black lace and yellow ribbons, she faces you; a blue racer is spiralled upon each bare arm; coiled twice about her waist and once about her neck, his horrid head close to hers, you perceive Kuku, the great eleven-foot Asian python.

A hand drew aside the curtain that partitioned the car, and a middle-


Heart of the West