| The first excerpt represents the past or something you must release, and is drawn from My Aunt Margaret's Mirror by Walter Scott: mystery on the spot. Rats abounded in the ancient building she
inhabited, and one of these had managed to ensconce itself within
her favourite MEMENTO MORI. Though thus endowed with a more than
feminine share of nerve, she entertained largely that belief in
supernaturals which in those times was not considered as sitting
ungracefully on the grave and aged of her condition; and the
story of the Magic Mirror was one for which she vouched with
particular confidence, alleging indeed that one of her own family
had been an eye-witness of the incidents recorded in it.
"I tell the tale as it was told to me."
Stories enow of much the same cast will present themselves to the
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe: only, but London markets also. On the shore, beginning a little
below Candy Island, or rather below Leigh Road, there lies a great
shoal or sand called the Black Tail, which runs out near three
leagues into the sea due east; at the end of it stands a pole or
mast, set up by the Trinity House men of London, whose business is
to lay buoys and set up sea marks for the direction of the sailors;
this is called Shoe Beacon, from the point of land where this sand
begins, which is called Shoeburyness, and that from the town of
Shoebury, which stands by it. From this sand, and on the edge of
Shoebury, before it, or south west of it, all along, to the mouth
of Colchester water, the shore is full of shoals and sands, with
|
The third excerpt represents the future or something you must embrace, and is drawn from Flame and Shadow by Sara Teasdale: Of each other's moods
And how they change;
But when we look
At each other so
Then we feel
How little we know;
The spirit eludes us,
Timid and free --
Can I ever know you
Or you know me?
In a Hospital
|