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Today's Stichomancy for Carmen Electra

The first excerpt represents the past or something you must release, and is drawn from Old Indian Legends by Zitkala-Sa:

distant howling of wolves broke the quiet of the village. But the lull between midnight and dawn was short indeed. Very early the oval-shaped door-flaps were thrust aside and many brown faces peered out of the wigwams toward the top of the highest bluff.

Now the sun rose up out of the east. The red painted avenger stood ready within the camp ground for the flying of the red eagle. He appeared, that terrible bird! He hovered over the round village as if he could pounce down upon it and devour the whole tribe.

When the first arrow shot up into the sky the anxious watchers thrust a hand quickly over their half-uttered "hinnu!" The second and the third arrows flew upward but missed by a wide space the red

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Plutarch's Lives by A. H. Clough:

sustenance in exile for the liberty of his country. Besides this, Brutus and Cassius, when they fled from Rome, could not live safe or quiet, being condemned to death and pursued, and were thus of necessity forced to take arms and hazard their lives in their own defense, to save themselves, rather than their country. On the other hand, Dion enjoyed more ease, was more safe, and his life more pleasant in his banishment, than was the tyrant's who had banished him, when he flew to action, and ran the risk of all to save Sicily.

Take notice, too, that it was not the same thing for the Sicilians to be freed from Dionysius, and for the Romans to be

The third excerpt represents the future or something you must embrace, and is drawn from The Art of Writing by Robert Louis Stevenson:

'Well, well,' said Mr. Thomson, 'we shall see.'

Footnotes:

(1) First published in the Contemporary Review, April 1885

(2) Milton.

(3) Milton.

(4) Milton.

(5) As PVF will continue to haunt us through our English examples, take, by way of comparison, this Latin verse, of which it forms a chief adornment, and do not hold me answerable for the all too Roman freedom of the sense: 'Hanc volo, quae facilis, quae palliolata vagatur.'