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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

define. Indeed, Alan's attitude towards her children I soon found to be the only source of friction between Lucy and this otherwise much-loved member of her husband's family. I asked her one day why the boys never appeared at luncheon.

"Oh, they come when Alan is away," she answered; "but they seem to annoy him so much that George thinks it is better to keep them out of sight when he is here. It is very tiresome. I know that it is the fashion to say that George has got the temper of the family; but I assure you that Alan's nervous moods and fancies are much more difficult to live with."

That was on the morning--a Friday it was--of the last day which we

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Astoria by Washington Irving:

wounded another of his nation; that the relations of the slain cried out for vengeance, and he had been compelled to lead them to fight. Still he wished to spare unnecessary bloodshed; he proposed, therefore, that Mr. Reed, who, he observed, was little better than a dead man, might be given up to be sacrificed to the manes of the deceased warrior. This would appease the fury of his friends; the hatchet would then be buried, and all thenceforward would be friends. The answer was a stern refusal and a defiance, and the war-chief saw that the canoes were well prepared for a vigorous defense. He withdrew, therefore, and returning to his warriors among the rocks held long deliberations. Blood for blood

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To the Lighthouse by Virginia Woolf:

ironically, flicking his sprig.

Hating his father, James brushed away the tickling spray with which in a manner peculiar to him, compound of severity and humour, he teased his youngest son's bare leg.

She was trying to get these tiresome stockings finished to send to Sorley's little boy tomorrow, said Mrs Ramsay.

There wasn't the slightest possible chance that they could go to the Lighthouse tomorrow, Mr Ramsay snapped out irascibly.

How did he know? she asked. The wind often changed.

The extraordinary irrationality of her remark, the folly of women's minds enraged him. He had ridden through the valley of death, been shattered


To the Lighthouse
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

years he had spent there trundling the heavy cars of ore in and out of the tunnel under the direction of his father. For thirteen days of each fortnight his father was a steady, hard-working shift-boss of the mine. Every other Sunday he became an irresponsible animal, a beast, a brute, crazy with alcohol.

McTeague remembered his mother, too, who, with the help of the Chinaman, cooked for forty miners. She was an overworked drudge, fiery and energetic for all that, filled with the one idea of having her son rise in life and enter a profession. The chance had come at last when the father


McTeague