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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Underground City by Jules Verne:

Two heights commanded the entire city; Edinburgh Castle, crowning its huge basaltic rock, and the Calton Hill, bearing on its rounded summit, among other monuments, ruins built to represent those of the Parthenon at Athens.

Fine roadways led in all directions from the capital. To the north, the coast of the noble Firth of Forth was indented by a deep bay, in which could be seen the seaport town of Leith, between which and this Modern Athens of the north ran a street, straight as that leading to the Piraeus.

Beyond the wide Firth could be seen the soft outlines of the county of Fife, while beneath the spectator stretched the yellow sands

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beast in the Jungle by Henry James:

original motive, a view of Weatherend itself and the fine things, intrinsic features, pictures, heirlooms, treasures of all the arts, that made the place almost famous; and the great rooms were so numerous that guests could wander at their will, hang back from the principal group and in cases where they took such matters with the last seriousness give themselves up to mysterious appreciations and measurements. There were persons to be observed, singly or in couples, bending toward objects in out-of-the-way corners with their hands on their knees and their heads nodding quite as with the emphasis of an excited sense of smell. When they were two they either mingled their sounds of ecstasy or melted into silences of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

Now the grosser soul-envelopes of the two great European and Asiatic faiths, though differing in detail, are in general parallel in structure. Each boasts its full complement of saints, whose congruent catalogues are equally wearisome in length. Each tells its circle of beads to help it keep count of similarly endless prayers. For in both, in the popular estimation, quantity is more effective to salvation than quality. In both the believer practically pictures his heaven for himself, while in each his hell, with a vividness that does like credit to its religious imagination, is painted for him by those of the cult who are themselves confident of escaping it. Into the lap of each mother church the pious

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

cost me endless toil. See, there on her cheek, below the eyes, a faint half-shadow; if you observed it in Nature you might think it could hardly be rendered. Well, believe me, I took unheard-of pains to reproduce that effect. My dear Porbus, look attentively at my work, and you will comprehend what I have told you about the manner of treating form and outline. Look at the light on the bosom, and see how by a series of touches and higher lights firmly laid on I have managed to grasp light itself, and combine it with the dazzling whiteness of the clearer tones; and then see how, by an opposite method,--smoothing off the sharp contrasts and the texture of the color,--I have been able, by caressing the outline of my figure and veiling it with cloudy