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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

decent shed to shelter animals or waggons. That was the way the wealthy lived: and if you had looked for our brothers, the poor--why, a hole in the ground--that was a cabin for you! Only by the smoke could you tell that a God-created man lived there. You ask why they lived so? It was not entirely through poverty: almost every one led a raiding Cossack life, and gathered not a little plunder in foreign lands; it was rather because it was little use building up a good wooden house. Many folk were engaged in raids all over the country--Crimeans, Poles, Lithuanians! It was quite possible that their own countrymen might make a descent and plunder everything. Anything was possible.


Taras Bulba and Other Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tanach:

Psalms 79: 4 We are become a taunt to our neighbours, a scorn and derision to them that are round about us.

Psalms 79: 5 How long, O LORD, wilt Thou be angry for ever? How long will Thy jealousy burn like fire?

Psalms 79: 6 Pour out Thy wrath upon the nations that know Thee not, and upon the kingdoms that call not upon Thy name.

Psalms 79: 7 For they have devoured Jacob, and laid waste his habitation.

Psalms 79: 8 Remember not against us the iniquities of our forefathers; let Thy compassions speedily come to meet us; for we are brought very low.

Psalms 79: 9 Help us, O God of our salvation, for the sake of the glory of Thy name; and deliver us, and forgive our sins, for Thy name's sake.

Psalms 79: 10 Wherefore should the nations say: 'Where is their God?' Let the avenging of Thy servants' blood that is shed be made known among the nations in our sight.

Psalms 79: 11 Let the groaning of the prisoner come before Thee; according to the greatness of Thy power set free those that are appointed to death;

Psalms 79: 12 And render unto our neighbours sevenfold into their bosom their reproach, wherewith they have reproached Thee, O Lord.

Psalms 79: 13 So we that are Thy people and the flock of Thy pasture will give Thee thanks for ever; we will tell of Thy praise to all generations.

Psalms 80: 1 (80:1) For the Leader; upon Shoshannim. A testimony. A Psalm of Asaph. (80:2) Give ear, O Shepherd of Israel, Thou that leadest Joseph like a flock; Thou that art enthroned upon the che


The Tanach
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

bot county, and there experienced religion. I in- dulged a faint hope that his conversion would lead him to emancipate his slaves, and that, if he did not do this, it would, at any rate, make him more kind and humane. I was disappointed in both these re- spects. It neither made him to be humane to his slaves, nor to emancipate them. If it had any effect on his character, it made him more cruel and hateful in all his ways; for I believe him to have been a much worse man after his conversion than before. Prior to his conversion, he relied upon his own depravity


The Narrative of the Life of Frederick Douglass: An American Slave
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

over-elaborate waist-buckle, no embroidered frills to her drawers fussing round her ankles. You will see that she is shod with prunella shoes, with sandals crossed over extremely fine cotton stockings, or plain gray silk stockings; or perhaps she wears boots of the most exquisite simplicity. You notice that her gown is made of a neat and inexpensive material, but made in a way that surprises more than one woman of the middle class; it is almost always a long pelisse, with bows to fasten it, and neatly bound with fine cord or an imperceptible braid. The Unknown has a way of her own in wrapping herself in her shawl or mantilla; she knows how to draw it round her from her hips to her neck, outlining a carapace, as it were, which would make an