| The first excerpt represents the past or something you must release, and is drawn from War and Peace by Leo Tolstoy: absorb the very best a man shows of himself. Natasha without knowing
it was all attention: she did not lose a word, no single quiver in
Pierre's voice, no look, no twitch of a muscle in his face, nor a
single gesture. She caught the unfinished word in its flight and
took it straight into her open heart, divining the secret meaning of
all Pierre's mental travail.
Princess Mary understood his story and sympathized with him, but she
now saw something else that absorbed all her attention. She saw the
possibility of love and happiness between Natasha and Pierre, and
the first thought of this filled her heart with gladness.
It was three o'clock in the morning. The footmen came in with sad
 War and Peace |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: any good, so I gave up trying. Next, Clarence found
that old Merlin was making himself busy on the sly
among those people. He was spreading a report that
I was a humbug, and that the reason I didn't accom-
modate the people with a miracle was because I
couldn't. I saw that I must do something. I pres-
ently thought out a plan.
By my authority as executive I threw Merlin into
prison -- the same cell I had occupied myself. Then
I gave public notice by herald and trumpet that I
should be busy with affairs of state for a fortnight, but
 A Connecticut Yankee in King Arthur's Court |
The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: roared and bobbed his shock of red wig until the audience broke out
in excited applause.
Pete did not pay much attention to the progress of events upon
the stage. He was drinking beer and watching Maggie.
Her cheeks were blushing with excitement and her eyes were
glistening. She drew deep breaths of pleasure. No thoughts of the
atmosphere of the collar and cuff factory came to her.
When the orchestra crashed finally, they jostled their way to
the sidewalk with the crowd. Pete took Maggie's arm and pushed a
way for her, offering to fight with a man or two.
They reached Maggie's home at a late hour and stood for a
 Maggie: A Girl of the Streets |