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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chronicles of the Canongate by Walter Scott:

would have them wait till stronger and walthier men than themselves were up, so that either they may have the better chance of getting through the day, or, failing of that, the conquering party having some fatter quarry to live upon, may, like gorged hawks, spare the smaller game."

There was something in this conclusion which at first reading piqued me extremely, and I was so unnatural as to curse the whole concern, as poor, bald, pitiful trash, in which a silly old man was saying a great deal about nothing at all. Nay, my first impression was to thrust it into the fire, the rather that it reminded me, in no very flattering manner, of the loss of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

And thus in going question'd: "Whence the' amaze That holds thy senses wrapt?" I satisfied The' inquiry, and the sage enjoin'd me straight: "Let thy safe memory store what thou hast heard To thee importing harm; and note thou this," With his rais'd finger bidding me take heed, "When thou shalt stand before her gracious beam, Whose bright eye all surveys, she of thy life The future tenour will to thee unfold." Forthwith he to the left hand turn'd his feet: We left the wall, and tow'rds the middle space


The Divine Comedy (translated by H.F. Cary)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Time Machine by H. G. Wells:

hillocks beyond. The sound of its voice was so dismal that I shivered and seated myself more firmly upon the machine. Looking round me again, I saw that, quite near, what I had taken to be a reddish mass of rock was moving slowly towards me. Then I saw the thing was really a monstrous crab-like creature. Can you imagine a crab as large as yonder table, with its many legs moving slowly and uncertainly, its big claws swaying, its long antennae, like carters' whips, waving and feeling, and its stalked eyes gleaming at you on either side of its metallic front? Its back was corrugated and ornamented with ungainly bosses, and a greenish incrustation blotched it here and there.


The Time Machine
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Allan Quatermain by H. Rider Haggard:

stomach. These signals the old gentleman clearly understood, for he nodded his head vigorously, and pointed towards the harbour; and at the same time one of the men on his boat threw us a line and motioned to us to make it fast, which we did. The row-boat then took us in tow, and went with great rapidity towards the mouth of the river, accompanied by all the other boats. In about twenty minutes more we reached the entrance to the harbour, which was crowded with boats full of people who had come out to see us. We observed that all the occupants were more or less of the same type, though some were fairer than others. Indeed, we noticed certain ladies whose skin was of a most dazzling whiteness;


Allan Quatermain