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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Within the Tides by Joseph Conrad:

widow lady kept Mr. Stafford short of pocket-money. They had rows almost every day down in the basement. . .

It was the fellow being a sailor that put into Cloete's mind the first notion of doing away with the Sagamore. He studies him a bit, thinks there's enough devil in him yet to be tempted, and one evening he says to him . . . I suppose you wouldn't mind going to sea again, for a spell? . . . The other never raises his eyes; says it's scarcely worth one's while for the miserable salary one gets. . . Well, but what do you say to captain's wages for a time, and a couple of hundred extra if you are compelled to come home without the ship. Accidents will happen, says Cloete. . . Oh! sure to,


Within the Tides
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Confessio Amantis by John Gower:

For he himselven ferst amendeth, That overal his name spredeth, And to alle othre, where it nedeth, 7680 He yifth his good in such a wise, That he makth many a man arise, Which elles scholde falle lowe. Largesce mai noght ben unknowe; For what lond that he regneth inne, It mai noght faile forto winne Thurgh his decerte love and grace, Wher it schal faile in other place.


Confessio Amantis
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

modifications were of so slight, though important, a character that many machines generically described as Taubes are in reality Rumplers, but the difference is beyond detection by the ordinary and unpractised observer.

In the Rumpler machine the wings, like those of the Taube, assume broadly the form and shape of those of the pigeon or dove in flight. The early Rumpler machines suffered from sluggish control, but in the later types this defect has been overcome. In the early models the wings were flexible, but in the present craft they are rigid, although fitted with tips or ailerons. The supporting truss beneath the wings, which was such an outstanding

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

he paced back and forth beneath the taunting ape-man. Now he stopped, and, rising on his hind legs against the stem of the tree that held his enemy, sharpened his huge claws upon the bark, tearing out great pieces that laid bare the white wood beneath.

And in the meantime Tarzan had dragged the struggling Horta to the limb beside him. Sinewy fingers completed the work the choking noose had commenced. The ape-man had no knife, but nature had equipped him with the means of tearing his food from the quivering flank of his prey, and gleaming teeth sank into the succulent flesh while the raging


The Return of Tarzan