Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Charisma Carpenter

The first excerpt represents the past or something you must release, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

In the little room but two could engage him at once, but so fiercely did his blade swing and so surely did he thrust that in a bare moment The Black Wolf lay dead upon the floor and the red giant, Shandy, was badly though not fatally wounded. The four remaining ruffi- ans backed quickly from the hut, and a more cautious fighter would have let them go their way in peace, for in the open four against one are odds no man may pit himself against with impunity. But Norman of Torn saw red when he fought and the red lured him ever on into the thickest of the fray. Only once before had he


The Outlaw of Torn
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Land of Footprints by Stewart Edward White:

The wounded beast, of course, offers the most interesting problem to the lion hunter. If it sees the hunter, it is likely to charge him at once. If hit while making off, however, it is more apt to take cover. Then one must summon all his good sense and nerve to get it out. No rules can be given for this; nor am I trying to write a text book for lion hunters. Any good lion hunter knows a lot more about it than I do. But always a man must keep in mind three things: that a lion can hide in cover so short that it seems to the novice as though a jack-rabbit would find scant concealment there; that he charges like lightning, and that he can spring about fifteen feet. This spring, coming unexpectedly

The third excerpt represents the future or something you must embrace, and is drawn from The Foolish Virgin by Thomas Dixon:

box so full the lid would never close.

She was reminded at every turn tonight of these futile conquests of the impossible. They all smelled of the back stairs and the kitchen. Her people had been slaveholders in the old regime of southern Kentucky. A kindly tolerant contempt for the pretensions of a servant class was bred in the bone of her being.

And yet their tribute to her beauty had its compensations. It was the promise of triumph when he for whom she waited should step from the throng and