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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

rock appeared in all its bareness. It arrested his further descent. Knight was now literally suspended by his arms; but the incline of the brow being what engineers would call about a quarter in one, it was sufficient to relieve his arms of a portion of his weight, but was very far from offering an adequately flat face to support him.

In spite of this dreadful tension of body and mind, Knight found time for a moment of thankfulness. Elfride was safe.

She lay on her side above him--her fingers clasped. Seeing him again steady, she jumped upon her feet.

'Now, if I can only save you by running for help!' she cried.


A Pair of Blue Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Some Reminiscences by Joseph Conrad:

And then--it is very difficult to be wholly joyous or wholly sad on this earth. The comic, when it is human, soon takes upon itself a face of pain; and some of our griefs (some only, not all, for it is the capacity for suffering which makes man august in the eyes of men) have their source in weaknesses which must be recognised with smiling compassion as the common inheritance of us all. Joy and sorrow in this world pass into each other, mingling their forms and their murmurs in the twilight of life as mysterious as an over-shadowed ocean, while the dazzling brightness of supreme hopes lies far off, fascinating and still, on the distant edge of the horizon.


Some Reminiscences
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twenty Years After by Alexandre Dumas:

authority will put all this to rights."

"Was it to tell me that, madame," coldly replied Gondy, "that your majesty admitted me to the honor of entering your presence?"

"No, my dear coadjutor," said Mazarin; "it was to ask your advice in the unhappy dilemma in which we find ourselves."

"Is it true," asked Gondy, feigning astonishment, "that her majesty summoned me to ask for my opinion?"

"Yes," said the queen, "it is requested."

The coadjutor bowed.

"Your majesty wishes, then ---- "


Twenty Years After
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

man, had it in him to contradict the opinions of a young girl whose lightest look could rekindle love in the coldest heart.

She had been educated with a care which her sisters had not enjoyed; painted pretty well, spoke Italian and English, and played the piano brilliantly; her voice, trained by the best masters, had a ring in it which made her singing irresistibly charming. Clever, and intimate with every branch of literature, she might have made folks believe that, as Mascarille says, people of quality come into the world knowing everything. She could argue fluently on Italian or Flemish painting, on the Middle Ages or the Renaissance; pronounced at haphazard on books new or old, and could expose the defects of a work