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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the past or something you must release, and is drawn from Memories and Portraits by Robert Louis Stevenson:

they are exclusive - the living quality of much that he has done is of a contrary, I had almost said of a heretical, complexion. A man, as I read him, of an originally strong romantic bent - a certain glow of romance still resides in many of his books, and lends them their distinction. As by accident he runs out and revels in the exceptional; and it is then, as often as not, that his reader rejoices - justly, as I contend. For in all this excessive eagerness to be centrally human, is there not one central human thing that Mr. Howells is too often tempted to neglect: I mean himself? A poet, a finished artist, a man in love with the appearances of life, a cunning reader of the mind, he has other

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Finished by H. Rider Haggard:

dead Mameena. If it were not so I must have been suffering from illusions, for certainly I seemed to see some one who looked like Mameena, and only Zikali, and through him Nombe, had sufficient knowledge to enable her to fill that role with such success. Perhaps the whole business was an illusion, though if so Zikali's powers must be great indeed. But then how about the assegai that Nomkubulwana, or rather her effigy, had seemed to hold and throw, whereof the blade was at present in my saddle-bag. That at any rate was tangible and real, though of course there was nothing to prove that it had really been Chaka's famous weapon.

Another thing that tormented me was my failure to see Zikali. I

The third excerpt represents the future or something you must embrace, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

'Shall we go then?' he said.

'Where?'

'I'll go with you to the gate.'

He arranged things his own way. He locked the door of the hut and came after her.

'You aren't sorry, are you?' he asked, as he went at her side.

'No! No! Are you?' she said.

'For that! No!' he said. Then after a while he added: 'But there's the rest of things.'

'What rest of things?' she said.

'Sir Clifford. Other folks. All the complications.'


Lady Chatterley's Lover