| The first excerpt represents the past or something you must release, and is drawn from Silas Marner by George Eliot: that to have considered his amenities apart from his cravat would
have been a severe, and perhaps a dangerous, effort of abstraction.
"Ha, Miss Nancy," he said, turning his head within his cravat and
smiling down pleasantly upon her, "when anybody pretends this has
been a severe winter, I shall tell them I saw the roses blooming on
New Year's Eve--eh, Godfrey, what do _you_ say?"
Godfrey made no reply, and avoided looking at Nancy very markedly;
for though these complimentary personalities were held to be in
excellent taste in old-fashioned Raveloe society, reverent love has
a politeness of its own which it teaches to men otherwise of small
schooling. But the Squire was rather impatient at Godfrey's showing
 Silas Marner |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and the Future by H. G. Wells: offensive. They key fact upon both British and French fronts was
the complete ascendancy of the Allies aeroplanes. It is the
necessary preliminary condition for the method upon which the
great generals of the French army rely in this sanitary task of
shoving the German Thing off the soil of Belgium and France back
into its own land. A man who is frequently throwing out
prophecies is bound to score a few successes, and one that I may
legitimately claim is my early insistence upon that fact that the
equality of the German aviator was likely to be inferior to that
of his French or British rival. The ordinary German has neither
the flexible quality of body, the quickness of nerve, the
|
The third excerpt represents the future or something you must embrace, and is drawn from Animal Farm by George Orwell: there browsing at the leaves under Squealer's supervision. In the evening
he returned to the farmhouse himself, but, as it was warm weather, told
the sheep to stay where they were. It ended by their remaining there for a
whole week, during which time the other animals saw nothing of them.
Squealer was with them for the greater part of every day. He was, he said,
teaching them to sing a new song, for which privacy was needed.
It was just after the sheep had returned, on a pleasant evening when the
animals had finished work and were making their way back to the farm
buildings, that the terrified neighing of a horse sounded from the yard.
Startled, the animals stopped in their tracks. It was Clover's voice. She
neighed again, and all the animals broke into a gallop and rushed into the
 Animal Farm |