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Today's Stichomancy for Charles Bronson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dust by Mr. And Mrs. Haldeman-Julius:

Meanwhile, preparations were begun for the new car line which would pass where the big dairy barn was standing. As the latter went down, board by board, it seemed to Mrs. Wade that this structure which, in the building, had been the sign and symbol of her surrender and heartbreak, now in its destruction, typified Martin's life. It was as if Martin, himself, were being torn limb from limb. All that he had built would soon be dust. The sound of the cement breaking under the heavy sledges, was almost more than she could bear. It was a relief to have the smaller buildings dragged bodily to other parts of the farm.

Only once before in her memory had there been such a summer and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Padre Ignacio by Owen Wister:

and white, as they played. Thus, of his own accord, he had begun to watch them when a child of six; and the Padre had taken the wild, half-scared, spellbound creature and made a musician of him.

"There, Felipe!" he said now. "Can you do it? Slower, and more softly, muchacho mio. It is about the death of a man, and it should go with our bell."

The boy listened. "Then the father has played it a tone too low," said he, "for our bell rings the note of sol, or something very near it, as the father must surely know." He placed the melody in the right key--an easy thing for him; and the Padre was delighted.

"Ah, my Felipe," he exclaimed, "what could you and I not do if we had a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Night and Day by Virginia Woolf:

adequate to his ambitions. His career had not come up to his expectations, and although he was a very fine, white-whiskered, mahogany-colored old man to look at, and had laid down a very choice cellar of good reading and good stories, you could not long remain ignorant of the fact that some thunder-storm had soured them; he had a grievance. This grievance dated back to the middle years of the last century, when, owing to some official intrigue, his merits had been passed over in a disgraceful manner in favor of another, his junior.

The rights and wrongs of the story, presuming that they had some existence in fact, were no longer clearly known to his wife and children; but this disappointment had played a very large part in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Eryxias by Platonic Imitator:

better condition than disease. But when have we the greatest and the most various needs, when we are sick or when we are well?

CRITIAS: When we are sick.

SOCRATES: And when we are in the worst state we have the greatest and most especial need and desire of bodily pleasures?

CRITIAS: True.

SOCRATES: And seeing that a man is best off when he is least in need of such things, does not the same reasoning apply to the case of any two persons, of whom one has many and great wants and desires, and the other few and moderate? For instance, some men are gamblers, some drunkards, and some gluttons: and gambling and the love of drink and greediness are all