| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Idylls of the King by Alfred Tennyson: Through knots and loops and folds innumerable
Fled ever through the woodwork, till they found
The new design wherein they lost themselves,
Yet with all ease, so tender was the work:
And, in the costly canopy o'er him set,
Blazed the last diamond of the nameless king.
Then Lancelot answered young Lavaine and said,
'Me you call great: mine is the firmer seat,
The truer lance: but there is many a youth
Now crescent, who will come to all I am
And overcome it; and in me there dwells
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman: to her yet?"
"I thought it was rather too soon."
"I really think you are very wise, Jim," said his
mother. "It is too soon to put such ideas into
the poor child's head. She is younger than you,
isn't she, Jim?"
"She is just six months and three days younger,"
replied Jim, with majesty.
"I thought so. Well, you know, Jim, it would
just wear her all out, as young as that, to be obliged
to think about her trousseau and housekeeping and
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Golden Sayings of Epictetus by Epictetus: presence? To the wilderness? And may not fever await me there?
What then is to be done? Cannot a fellow-traveller be found that
is honest and loyal, stong and secure against surprise? Thus doth
the wise man reason, considering that if he would pass through in
safety, he must attach himself unto God.
CXXXVIII
"How understandest thou attach himself to God?"
That what God wills, he should will also; that what God
wills not, neither should he will.
"How then may this come to pass?"
By considering the movements of God, and His administration.
 The Golden Sayings of Epictetus |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad: abstract idea, and it seemed a sort of "lesser
marvel" till it flashed upon me that it involved the
concrete existence of a ship.
A ship! My ship! She was mine, more abso-
lutely mine for possession and care than anything
in the world; an object of responsibility and de-
votion. She was there waiting for me, spell-bound,
unable to move, to live, to get out into the world
(till I came), like an enchanted princess. Her call
had come to me as if from the clouds. I had never
suspected her existence. I didn't know how she
 The Shadow Line |