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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Journal of the Plague Year by Daniel Defoe:

stood still like one astonished. The poor distempered man all this while, being as well diseased in his brain as in his body, stood still like one amazed. At length he turns round: 'Ay!' says he, with all the seeming calmness imaginable, 'is it so with you all? Are you all disturbed at me? Why, then I'll e'en go home and die there.' And so he goes immediately downstairs. The servant that had let him in goes down after him with a candle, but was afraid to go past him and open the door, so he stood on the stairs to see what he would do. The man went and opened the door, and went out and flung the door after him. It was some while before the family recovered the fright, but as no ill consequence attended, they have had occasion since to speak of it


A Journal of the Plague Year
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

owing to your sudden alarm and anxiety - a confusion which prevented you from realising the danger of the two peculiarly hung mirrors in Mr. Thorne's room. These should have been taken away at once. This morning my sudden appearance at the garden gate prevented you from making an examination of the place of the murder. Your swoon, after I had spoken to you in the butler's room, showed me that you were carrying a burden too heavy for your strength. Finally, this afternoon, you drove to the main telegraph office in the city, as you thought that it would be safer to telegraph Mr. Thorne from there. Your telegram was very cleverly written. But you might have spared the last sentence, the request that Mr. Thorne should get the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

does it either depends on qualities in the parties that would produce it equally if they were of no kin to one another, or it is a more or less morbid survival of the nursing passion; for affection between adults (if they are really adult in mind and not merely grown-up children) and creatures so relatively selfish and cruel as children necessarily are without knowing it or meaning it, cannot be called natural: in fact the evidence shews that it is easier to love the company of a dog than of a commonplace child between the ages of six and the beginnings of controlled maturity; for women who cannot bear to be separated from their pet dogs send their children to boarding schools cheerfully. They may say and even believe that in allowing

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Research Magnificent by H. G. Wells:

"Two, sir. Her ladyship was round here three times, sir."

"Did she see all these letters?"

"Not the telephone calls, sir. I ‘ad put them on one side. But. . . . It's a little thing, sir."

He paused and came a step nearer. "You see, sir," he explained with the faintest flavour of the confidential softening his mechanical respect, "yesterday, when ‘er ladyship was ‘ere, sir, some one rang up on the telephone--"

"But you, Merkle--"

"Exactly, sir. But ‘er ladyship said ‘I'LL go to that, Merkle,' and just for a moment I couldn't exactly think ‘ow I could manage it,