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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the past or something you must release, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

and now that He's likely to reform I'll warrant You won't have him!

MARIA. His own Heart--and Lady Sneerwell know the cause.

[CHARLES.] Lady Sneerwell!

SURFACE. Brother it is with great concern--I am obliged to speak on this Point, but my Regard to justice obliges me-- and Lady Sneerwell's injuries can no longer--be concealed-- [Goes to the Door.]

Enter LADY SNEERWELL

SIR PETER. Soh! another French milliner egad! He has one in every Room in the House I suppose--

LADY SNEERWELL. Ungrateful Charles! Well may you be surprised and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

resignation which in mothers and loving wives transcends in its effects all human energy, and perhaps reveals in the heart of women the existence of certain chords which God has withheld from men.

An inscription engraved on a broken column in the cemetery at Montmartre states that Madame de Sommervieux died at the age of twenty-seven. In the simple words of this epitaph one of the timid creature's friends can read the last scene of a tragedy. Every year, on the second of November, the solemn day of the dead, he never passes this youthful monument without wondering whether it does not need a stronger woman than Augustine to endure the violent embrace of genius?

"The humble and modest flowers that bloom in the valley," he reflects,

The third excerpt represents the future or something you must embrace, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

circled round his head. "Soft moth!" he cried, "dear moth! And wonderful night, wonderful night of the world! Do you think my clothes are beautiful, dear moth? As beautiful as your scales and all this silver vesture of the earth and sky?"

And the moth circled closer and closer until at last its velvet wings just brushed his lips . . . . .

And next morning they found him dead with his neck broken in the bottom of the stone pit, with his beautiful clothes a little bloody and foul and stained with the duckweed from the pond. But his face was a face of such happiness that, had you seen it, you would have understood indeed how that he had died happy, never