| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and the Future by H. G. Wells: fashion of our time; it is a relief to be reminded that most
women can after all be beautiful--if only they would not "dress."
these women wear simple overalls and caps. In the cap is a
rosette. Each shed has its own colour of rosette.
"There is much esprit de corps here," says M. Citroen.
"And also," he adds, showing obverse as well as reverse of the
world's problem of employment and discipline, "we can see at once
if a woman is not in her proper shed."
Across the great sheds under the shafting--how fine it must look
at night!--the shells march, are shaped, cut, fitted with copper
bands, calibrated, polished, varnished....
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Unsocial Socialist by George Bernard Shaw: Agatha stopped, and the column broke into a group about her.
"Miss Wilson," she said, "it is going to rain in torrents, and
Jane and I have only our shoes on."
Miss Wilson paused to consider the situation. Someone suggested
that if they hurried on they might reach Lyvern before the rain
came down.
"More than a mile," said Agatha scornfully, "and the rain coming
down already!"
Someone else suggested returning to the college.
"More than two miles," said Agatha. "We should be drowned."
"There is nothing for it but to wait here under the trees," said
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac: rickety chest of drawers completed the list of the furniture, but a
door beside the fireplace suggested an inner room beyond.
The brief inventory was soon made by the personage introduced into
their midst under such terrible auspices. It was with a compassionate
expression that he turned to the two women; he looked benevolently at
them, and seemed, at least, as much embarrassed as they. But the
strange silence did not last long, for presently the stranger began to
understand. He saw how inexperienced, how helpless (mentally
speaking), the two poor creatures were, and he tried to speak gently.
"I am far from coming as an enemy, citoyennes----" he began. Then he
suddenly broke off and went on, "Sisters, if anything should happen to
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen: and Austin listened in silence. He seemed puzzled.
"How very curious that you should experience such an
unpleasant sensation in that room!" he said at length. "I
hardly gather that it was a mere matter of the imagination; a
feeling of repulsion, in short."
"No, it was more physical than mental. It was as if I
were inhaling at every breath some deadly fume, which seemed to
penetrate to every nerve and bone and sinew of my body. I felt
racked from head to foot, my eyes began to grow dim; it was like
the entrance of death."
"Yes, yes, very strange certainly. You see, your
 The Great God Pan |