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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey:

Madeline stepped to the front of the porch. Then the deep voices of men and softer voices of women united in one glad outburst, as much a thanksgiving as a greeting, "MAJESTY!"

Helen Hammond was three years younger than Madeline, and a slender, pretty girl. She did not resemble her sister, except in whiteness and fineness of skin, being more of a brown-eyed, brown-haired type. Having recovered her breath soon after Madeline took her to her room, she began to talk.

"Majesty, old girl, I'm here; but you can bet I would never have gotten here if I had known about that ride from the railroad. You never wrote that you had a car. I thought this was out West-


The Light of Western Stars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lay Morals by Robert Louis Stevenson:

like a sybarite, he has attentive valets in his own viscera; he breathes, he sweats, he digests without an effort, or so much as a consenting volition; for the most part he even eats, not with a wakeful consciousness, but as it were between two thoughts. His life is centred among other and more important considerations; touch him in his honour or his love, creatures of the imagination which attach him to mankind or to an individual man or woman; cross him in his piety which connects his soul with heaven; and he turns from his food, he loathes his breath, and with a magnanimous emotion cuts the knots of his existence and frees himself at

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sons and Lovers by D. H. Lawrence:

odour of new wash-leather. He wondered what the things were. By this time he was so much stunned that he only noticed the outside things.

"Sit down!" said Mr. Jordan, irritably pointing Mrs. Morel to a horse-hair chair. She sat on the edge in an uncertain fashion. Then the little old man fidgeted and found a paper.

"Did you write this letter?" he snapped, thrusting what Paul recognised as his own notepaper in front of him.

"Yes," he answered.

At that moment he was occupied in two ways: first, in feeling guilty for telling a lie, since William had composed the letter; second, in wondering why his letter seemed so strange and different,


Sons and Lovers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Astoria by Washington Irving:

feeble to follow him, and Weekes was soon obliged to abandon him to his fate and provide for his own safety. Falling upon a beaten path, he pursued it, and after a few hours came to a part of the coast, where, to his surprise and joy, he beheld the ship at anchor and was met by the captain and his party.

After Weekes had related his adventures, three parties were despatched to beat up the coast in search of the unfortunate islander. They returned at night without success, though they had used the utmost diligence. On the following day the search was resumed, and the poor fellow was at length discovered lying beneath a group of rocks, his legs swollen, his feet torn and