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Today's Stichomancy for Charlton Heston

The first excerpt represents the past or something you must release, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

word worthy of a German man?

As to the story of his unhappy quarrels with his wife, there may be a grain of truth in it likewise. Vesalius's religion must have sat very lightly on him. The man who had robbed churchyards and gibbets from his youth was not likely to be much afraid of apparitions and demons. He had handled too many human bones to care much for those of saints. He was probably, like his friends of Basle, Montpellier, and Paris, somewhat of a heretic at heart, probably somewhat of a pagan, while his lady, Anne van Hamme, was probably a strict Catholic, as her father, being a councillor and master of the exchequer at Brussels, was bound to be; and freethinking in the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poor and Proud by Oliver Optic:

was overcome with emotion as the beautiful young lady took her hand, and looked so sorrowfully in her face. She was not used to so much kindness, so much sympathy, so much love; for it seemed as though both Grace and her mother loved her--that their hearts beat with hers.

"Don t cry, Katy; I am sorry I said a word," pleaded Grace. "I would not have hurt your feelings for all the world."

"You did not hurt my feelings; you are so kind to me that I could not help crying. I suppose I am very silly."

"No, you are not, Katy; now dry up your tears, and tell us all about it," added Mrs. Gordon, in soothing tones. "How long has

The third excerpt represents the future or something you must embrace, and is drawn from Moon-Face and Other Stories by Jack London:

when we did know that he was dead, it seemed, somehow, that we had understood and looked forward to it all the time. This, by retrospective analysis, we could easily explain by the fact of his great trouble. I use "great trouble" advisedly. Young, handsome, with an assured position as the right-hand man of Eben Hale, the great street-railway magnate, there could be no reason for him to complain of fortune's favors. Yet we had watched his smooth brow furrow and corrugate as under some carking care or devouring sorrow. We had watched his thick, black hair thin and silver as green grain under brazen skies and parching drought. Who can forget, in the midst of the hilarious scenes he toward the last sought with greater and greater avidity--who can forget, I say, the deep abstractions and black moods into which he fell? At such times,