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Today's Stichomancy for Che Guevara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

wicked eyes were riveted upon the figure of the girl. Then, stealthily, they commenced moving toward her. She had stopped now and was standing waiting them.

One, closer to her than the others, hesitated. She spoke to him imperiously, as a master might speak to a refractory hound.

The great carnivore let its head droop, and with tail between its legs came slinking to the girl's feet, and after it came the others until she was entirely surrounded by the savage maneaters.

Turning she led them to where Carthoris stood. They growled a little as they neared the man, but a


Thuvia, Maid of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gulliver's Travels by Jonathan Swift:

who fell asleep while she was reading a romance. I got up in an instant; and orders being given to clear the way before me, and it being likewise a moonshine night, I made a shift to get to the palace without trampling on any of the people. I found they had already applied ladders to the walls of the apartment, and were well provided with buckets, but the water was at some distance. These buckets were about the size of large thimbles, and the poor people supplied me with them as fast as they could: but the flame was so violent that they did little good. I might easily have stifled it with my coat, which I unfortunately left behind me for haste, and came away only in my leathern jerkin. The case


Gulliver's Travels
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson:

would say pathetically: "HE WAS REAL PLEASED WI' IT AT FIRST, BUT I THINK HE'S GOT A KIND O' TIRED O' IT NOW" - the son being then a man of about forty. But I will let all these pass. "'Tis more significant: he's dead." The earth, that he had digged so much in his life, was dug out by another for himself; and the flowers that he had tended drew their life still from him, but in a new and nearer way. A bird flew about the open grave, as if it too wished to honour the obsequies of one who had so often quoted Scripture in favour of its kind. "Are not two sparrows sold for one farthing, and yet not one of them falleth to the ground."

Yes, he is dead. But the kings did not rise in the place of death

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Symposium by Xenophon:

Nic. Not I, indeed. Don't ask me to defend their wits.

It is plain (suggested Socrates), they do not know the underlying meaning.[14] But you, Niceratus, have paid large sums of money to Anaximander, and Stesimbrotus, and many others,[15] so that no single point in all that costly lore is lost upon you.[16] But what (he added, turning to Critobulus) do you most pride yourself upon?

[14] i.e. "they haven't the key (of knowledge) to the allegorical or spiritual meaning of the sacred text." Cf. Plat. "Crat." 407; "Ion," 534; "Rep." 378, 387; "Theaet." 180; "Prot." 316. See Grote, "H. G." i. 564.

[15] See Aristot. "Rhet." iii. 11, 13. "Or we may describe Niceratus


The Symposium