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Today's Stichomancy for Chow Yun Fat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Reign of King Edward the Third by William Shakespeare:

And make their way to the encompassed prince: Dispose of him as please your majesty.

KING JOHN. Go, & the next bough, soldier, that thou seest, Disgrace it with his body presently; For I do hold a tree in France too good To be the gallows of an English thief.

SALISBURY. My Lord of Normandy, I have your pass And warrant for my safety through this land.

CHARLES.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

For 'tis 'twined with magic skill, Doth the cruel maid for ever

Hold me fast against my will. While those magic chains confine me, To her will I must resign me.

Ah, the change in truth is great!

Love! kind love! release me straight!

1775. ----- TO BELINDA.

[This song was also written for Lily. Goethe mentions, at the end

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

Bismarck, when he places "sensitiveness to small disrespects - EMPFINDLICHKEIT UEBER MANGEL AN RESPECT," among the causes of the wild career of Knappe. Whatever the cause, at least, the natives had no sooner taken arms than Leary appeared with violence upon that side. As early as the 3rd, he had sent an obscure but menacing despatch to Brandeis. On the 6th, he fell on Fritze in the matter of the Manono bombardment. "The revolutionists," he wrote, "had an armed force in the field within a few miles of this harbour, when the vessels under your command transported the Tamasese troops to a neighbouring island with the avowed intention of making war on the isolated homes of the women and children of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Facino Cane by Honore de Balzac:

Bourdon must have stood still to listen to an exile's last prayer, a last cry of regret for a lost name, mingled with memories of Bianca. But gold soon gained the upper hand, the fatal passion quenched the light of youth.

"I see it always," he said; "dreaming or waking, I see it; and as I pace to and fro, I pace in the Treasury, and the diamonds sparkle. I am not as blind as you think; gold and diamonds light up my night, the night of the last Facino Cane, for my title passes to the Memmi. My God! the murderer's punishment was not long delayed! /Ave Maria/," and he repeated several prayers that I did not heed.

"We will go to Venice!" I said, when he rose.