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Today's Stichomancy for Chris Elliott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Antonia by Willa Cather:

cautiously, then critically, blinking his eyes in the light. His expression was droll; it dismissed me lightly. `This old fellow is no different from other people. He doesn't know my secret.' He seemed conscious of possessing a keener power of enjoyment than other people; his quick recognitions made him frantically impatient of deliberate judgments. He always knew what he wanted without thinking.

After dressing in the hay, I washed my face in cold water at the windmill. Breakfast was ready when I entered the kitchen, and Yulka was baking griddle-cakes. The three older boys set off for the fields early. Leo and Yulka were to drive to town to meet their father, who would


My Antonia
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Unconscious Comedians by Honore de Balzac:

commercial property in Paris, and have ended by constituting a sort of ensign of nobility. The present Marius, who takes pupils, has created, he says, the leading school of hair-dressing in the world.

"I've seen, in coming through France," said Gazonal, "a great many signs bearing the words: 'Such a one, pupil of Marius.'"

"His pupils have to wash their hands after every head," said Bixiou; "but Marius does not take them indifferently; they must have nice hands, and not be ill-looking. The most remarkable for manners, appearance, and elocution are sent out to dress heads; and they come back tired to death. Marius himself never turns out except for titled women; he drives his cabriolet and has a groom."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

timed it well. It seems I am to die today."

Krag scowled. "You will die this morning."

"If I am to, I shall. But where have you heard it from?"

"You are ripe for it. You have run through the gamut. What else is there to live for?"

"Nothing," said Maskull, uttering a short laugh. "I am quite ready. I have failed in everything. I only wondered how you knew.... So now you've come to rejoin me. Where are we going?"

"Through Barey."

"And what about Nightspore?"

Krag jumped to his feet with clumsy agility. "We won't wait for him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prince Otto by Robert Louis Stevenson:

of an author's licence, makes a great figure of his hero - poses him, indeed, to be the centre-piece and cloud-compeller of the whole. But, with due allowance for this bias, the book is able and complete.

The reader is of course acquainted with the vigorous and bracing pages of Sir John (2 vols., London: Longman, Hurst, Rees, Orme and Brown). Sir John, who plays but a tooth-comb in the orchestra of this historical romance, blows in his own book the big bassoon. His character is there drawn at large; and the sympathy of Landor has countersigned the admiration of the public. One point, however, calls for explanation; the chapter on Grunewald was torn by the hand