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Today's Stichomancy for Chris Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Criminal Sociology by Enrico Ferri:

unadaptable, and dangerous to society. But I hold that, if we would

draw from the death penalty the only positive utility which it possesses, namely, artificial selection, then we must have courage enough to apply it resolutely in all cases where it is necessary from this point of view, that is to say, to all born criminals, who are the authors of the most serious crimes of violence. In Italy, for example, it would be necessary to execute at least one thousand persons every year, and in France nearly two hundred and fifty, in place of the annual seven or eight.

Otherwise the death penalty must be considered as an unserviceable and neglected means of terror, merely to be printed in the codes;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glinda of Oz by L. Frank Baum:

disposition, was accustomed to abide by any decision she had made and could not easily be turned from her purpose. Moreover she could see no great danger to the fairy Ruler of Oz in the undertaking, even though the unknown people she was to visit proved obstinate. But Dorothy was not a fairy; she was a little girl who had come from Kansas to live in the Land of Oz. Dorothy might encounter dangers that to Ozma would be as nothing but to an "Earth child" would be very serious.

The very fact that Dorothy lived in Oz, and had been made a Princess by her friend Ozma, prevented her from


Glinda of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heart of Darkness by Joseph Conrad:

but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would


Heart of Darkness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

can't stand your having written it; and I beg you will write no more of the like. INFRA, sir; Below you: I can't help it - it may be your favourite work, but in my eyes it's BELOW YOU to write and me to read. I thought RODERICK was going to be another such at the beginning; and I cannot describe my pleasure as I found it taking bones and blood, and looking out at me with a moved and human countenance, whose lineaments are written in my memory until my last of days.

R. L. S.

My wife begs your forgiveness; I believe for her silence.

Letter: TO SIDNEY COLVIN