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Today's Stichomancy for Christian Bale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Research Magnificent by H. G. Wells:

choosing among unlimited possibilities. Yet while he dreamt other influences were directing his movements. There were for instance his mother, Lady Marayne, who saw a very different London from what he did, and his mother Dame Nature, who cannot see London at all. She was busy in his blood as she is busy in the blood of most healthy young men; common experience must fill the gaps for us; and patiently and thoroughly she was preparing for the entrance of that heroine, whom not the most self-centred of heroes can altogether avoid. . . .

And then there was the power of every day. Benham imagined himself at large on his liberating steed of property while indeed he was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Babbitt by Sinclair Lewis:

prodded Ted.

"Humph! I make eight thousand a year to his seven! But I don't blow it all in and waste it and throw it around, the way he does! Don't believe in this business of going and spending a whole lot of money to show off and--"

They went, with ardor and some thoroughness, into the matters of streamline bodies, hill-climbing power, wire wheels, chrome steel, ignition systems, and body colors. It was much more than a study of transportation. It was an aspiration for knightly rank. In the city of Zenith, in the barbarous twentieth century, a family's motor indicated its social rank as precisely as the grades of the peerage determined the rank of an English family--indeed, more precisely, considering the opinion of old county families upon newly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

stood before her whose faces we couldn't see but who even as observed from the rear were visibly absorbed in the charming figure-piece submitted to them. I was freshly struck with the fact that this meagre and defective little person, with the cock of her hat and the flutter of her crape, with her eternal idleness, her eternal happiness, her absence of moods and mysteries and the pretty presentation of her feet, which especially now in the supported slope of her posture occupied with their imperceptibility so much of the foreground--I was reminded anew, I say, how our young lady dazzled by some art that the enumeration of her merits didn't explain and that the mention of her lapses didn't affect.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Captain Stormfield by Mark Twain:

took a look in the glass, I could have jumped over a house for joy, I was so happy. "Now THIS is something like!" says I. "Now," says I, "I'm all right - show me a cloud."

Inside of fifteen minutes I was a mile on my way towards the cloud- banks and about a million people along with me. Most of us tried to fly, but some got crippled and nobody made a success of it. So we concluded to walk, for the present, till we had had some wing practice.

We begun to meet swarms of folks who were coming back. Some had harps and nothing else; some had hymn-books and nothing else; some had nothing at all; all of them looked meek and uncomfortable; one