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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Critias by Plato:

dry sort, which is given us for nourishment and any other which we use for food--we call them all by the common name of pulse, and the fruits having a hard rind, affording drinks and meats and ointments, and good store of chestnuts and the like, which furnish pleasure and amusement, and are fruits which spoil with keeping, and the pleasant kinds of dessert, with which we console ourselves after dinner, when we are tired of eating--all these that sacred island which then beheld the light of the sun, brought forth fair and wondrous and in infinite abundance. With such blessings the earth freely furnished them; meanwhile they went on constructing their temples and palaces and harbours and docks. And they arranged the whole country in the following manner:--

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

all this wealth. Whoever your parents may be they must have told you about all this, and of my heavy loss in the ruin {41} of a stately mansion fully and magnificently furnished. Would that I had only a third of what I now have so that I had stayed at home, and all those were living who perished on the plain of Troy, far from Argos. I often grieve, as I sit here in my house, for one and all of them. At times I cry aloud for sorrow, but presently I leave off again, for crying is cold comfort and one soon tires of it. Yet grieve for these as I may, I do so for one man more than for them all. I cannot even think of him without loathing both food and sleep, so miserable does he make me, for


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underground City by Jules Verne:

be distinctly heard.

All four stood for some minutes, their ears on the stretch, without uttering a word. All at once Simon Ford exclaimed, "Well, I declare! Are trucks already running on the rails of New Aberfoyle?"

"Father," replied Harry, "it sounds to me just like the noise made by waves rolling on the sea shore."

"We can't be under the sea though!" cried the old overman.

"No," said the engineer, "but it is not impossible that we should be under Loch Katrine."

"The roof cannot have much thickness just here, if the noise