| The first excerpt represents the past or something you must release, and is drawn from The Legend of Sleepy Hollow by Washington Irving: troop of Don Cossacks; and the old dames, startled out of their
sleep, would listen for a moment till the hurry-scurry had
clattered by, and then exclaim, "Ay, there goes Brom Bones
and his gang!" The neighbors looked upon him with a mixture
of awe, admiration, and good-will; and, when any madcap prank
or rustic brawl occurred in the vicinity, always shook their
heads, and warranted Brom Bones was at the bottom of it.
This rantipole hero had for some time singled out the
blooming Katrina for the object of his uncouth gallantries, and
though his amorous toyings were something like the gentle
caresses and endearments of a bear, yet it was whispered that she
 The Legend of Sleepy Hollow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Land of Footprints by Stewart Edward White: a quilted affair in consistency like the things you are supposed
to lift hot flat-irons with. On the outside it is brown flannel,
like the shirt; on the inside it is a gaudy orange colour. The
latter is not for aesthetic effect, but to intercept actinic
rays. It is eight or ten inches wide, is shaped to button close
up under your collar, and extends halfway down your back. In
addition it is well to wear a silk handkerchief around the neck;
as the spine and back of the head seem to be the most vulnerable
to the sun.
For breeches, suit yourself as to material. It will have to be
very tough, and of fast colour. The best cut is the
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The third excerpt represents the future or something you must embrace, and is drawn from Merry Men by Robert Louis Stevenson: somewhat gaunt peasant wrapped in a mantle. He was a stranger, and
plainly did not know me even by repute; for, instead of keeping the
other side, he drew near and sat down beside me, and we had soon
fallen in talk. Among other things he told me he had been a
muleteer, and in former years had much frequented these mountains;
later on, he had followed the army with his mules, had realised a
competence, and was now living retired with his family.
'Do you know that house?' I inquired, at last, pointing to the
residencia, for I readily wearied of any talk that kept me from the
thought of Olalla.
He looked at me darkly and crossed himself.
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