| The first excerpt represents the past or something you must release, and is drawn from War of the Worlds by H. G. Wells: would make any novelty, the excuse for walking together and
enjoying a trivial flirtation. You may figure to yourself the
hum of voices along the road in the gloaming. . . .
As yet, of course, few people in Woking even knew that
the cylinder had opened, though poor Henderson had sent a
messenger on a bicycle to the post office with a special wire
to an evening paper.
As these folks came out by twos and threes upon the open,
they found little knots of people talking excitedly and peering
at the spinning mirror over the sand pits, and the new-comers
were, no doubt, soon infected by the excitement of the oc-
 War of the Worlds |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson: As if they did the talking when he asked you for the news.
"That's all, my son. Were I to talk for half a hundred years
I'd never clear away from there the cloud that never clears.
We buried what was left of it, -- the bar, too, and the chains;
And only for the apple tree there's nothing that remains."
Forty years ago it was I heard the old man say,
"That's all, my son." -- And here again I find the place to-day,
Deserted and told only by the tree that knows the most,
And overgrown with golden-rod as if there were no ghost.
Hillcrest
(To Mrs. Edward MacDowell)
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The third excerpt represents the future or something you must embrace, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac: vanish like smoke. This is the way to do it. Next Saturday put a
review in our magazine, and sign it 'de Rubempre,' out in full.
"In that final article say that 'fine work always brings about
abundant controversy. This week such and such a paper contained such
and such an article on Nathan's book, and such another paper made a
vigorous reply.' Then you criticise the critics 'C' and 'L'; pay me a
passing compliment on the first article in the Debats, and end by
averring that Nathan's work is the great book of the epoch; which is
all as if you said nothing at all; they say the same of everything
that comes out.
"And so," continued Blondet, "you will have made four hundred francs
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